Cherkaoui Larbi Sidi:Lise Uytterhoeven的戏剧和环境奇观。2019.伦敦：帕尔格雷夫·麦克米伦。271页，16幅插图。£64.99 hardcover.ISBN:9783030278151。44.99英镑的论文。34.99英镑电子书。ISBN:9783030278168。

IF 0.4 2区艺术学 0 DANCE

DANCE RESEARCH JOURNAL Pub Date : 2021-12-01 DOI:10.1017/s0149767721000395

Heather Harrington

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引用次数: 0

摘要

更多地关注选民的经验和需求。当我阅读的时候，我发现自己用“舞蹈艺术家”代替了“博士生和助教”，把舞蹈领域和学术生活的条件相提并论。她对舞蹈艺术家自我开发意愿的讨论引发了我对自己经历和动机的反思:我究竟为什么同意写这篇(无偿的)评论?为什么我做了五年的兼职教师?我在哪些方面忽视了集体斗争的形式，并屈服于个人主义职业主义的引力?Van Assche对不稳定性的探索可以帮助我们适应自我剥削和自作聪明在音乐会舞蹈、学术界和我们更广泛的生活中出现的方式。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

SIDI LARBI CHERKAOUI: DRAMATURGY AND ENGAGED SPECTATORSHIP by Lise Uytterhoeven. 2019. London: Palgrave Macmillan. 271 pp., 16 illustrations. £64.99 hardcover. ISBN: 9783030278151. £44.99 paper. £34.99 e-book. ISBN: 9783030278168.

more about the experiences and needs of their constituencies. As I read, I found myself substituting “dance artists” for “PhD students and adjuncts,” drawing parallels between the dance field and the conditions of academic life. Her discussion of dance artists’ willingness to selfexploit provoked reflection about my own experiences and motivations: Why exactly did I agree to write this (unpaid) review? Why have I been teaching as an adjunct for five years? In what ways do I neglect forms of collective struggle and cave to the gravitational pull of individualist careerism? Van Assche’s exploration of precarity can help us attune to the ways that selfexploitation and smarm show up within concert dance, academia, and our lives more broadly.

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来源期刊

DANCE RESEARCH JOURNAL DANCE-

CiteScore

1.20

自引率

0.00%

发文量

期刊介绍： Dance Research Journal is the longest running, peer reviewed journal in its field, and has become one of the foremost international outlets for dance research scholarship. The journal carries scholarly articles, book reviews, and a list of books and journals received.