历史虚拟化:当代钢琴曲目的再现、建模和保存中的模拟和数字问题

IF 0.2 4区 艺术学 Q2 Arts and Humanities
Chrysi Nanou, Rob Hamilton
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引用次数: 1

摘要

在当代钢琴曲目中保存和重新诠释经典音乐作品的现代努力往往利用新技术,从根本上改变作品本身的核心方面。通过将保存作为一种虚拟化的形式——在这种情况下,创造每个音乐作品的功能解释模型——艺术家和研究人员可以为重要的音乐系统创建健壮且可执行的数字版本。本文介绍了虚拟化作为一种作曲建模技术的思想,并提供了三个案例研究,其中设计和开发了当代钢琴曲目的数字版本。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Historical Virtualization: Analog and Digital Concerns in the Recreation, Modeling and Preservation of Contemporary Piano Repertoire
Modern efforts to preserve and reinterpret canonic musical works in the contemporary piano repertoire often take advantage of new technologies, fundamentally changing core aspects of the works themselves. By approaching preservation as a form of virtualization—in this case the creation of a functional interpretative model of each musical work—artists and researchers can create robust and performable digital versions of important musical systems. This paper introduces the idea of virtualization as a compositional modeling technique and offers three case studies in which digital versions of contemporary piano repertoire were designed and developed.
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来源期刊
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期刊介绍: Leonardo Music Journal (LMJ), is the companion annual journal to Leonardo. LMJ is devoted to aesthetic and technical issues in contemporary music and the sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints. Each volume includes the latest offering from the LMJ CD series—an exciting sampling of works chosen by a guest curator and accompanied by notes from the composers and performers. Institutional subscribers to Leonardo receive LMJ as part of a yearly subscription.
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