{"title":"奋斗玻璃","authors":"Thomas Clément Mercier","doi":"10.3366/olr.2022.0381","DOIUrl":null,"url":null,"abstract":"This essay stages an encounter between several texts by Jacques Derrida (notably Memoires – for Paul de Man, Life Death, and Glas) which delineate the contours of what could be called a ‘memorial agonistics’. Through readings of Marx, Nietzsche and Freud, Derrida shows that memory and commemorations always involve struggles in nomination and classification, jealous movements of appropriation and expropriation of the departed, wars in and for the name converging towards the imposition of some countersignature. These violent plays of preservation and substitution seem always to take place around the enigmatic figure of the mother – a monumental corpse instantiated in the essay through the name ‘Notre-Dame de la Garde’.","PeriodicalId":43403,"journal":{"name":"OXFORD LITERARY REVIEW","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Glas Struggles\",\"authors\":\"Thomas Clément Mercier\",\"doi\":\"10.3366/olr.2022.0381\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay stages an encounter between several texts by Jacques Derrida (notably Memoires – for Paul de Man, Life Death, and Glas) which delineate the contours of what could be called a ‘memorial agonistics’. Through readings of Marx, Nietzsche and Freud, Derrida shows that memory and commemorations always involve struggles in nomination and classification, jealous movements of appropriation and expropriation of the departed, wars in and for the name converging towards the imposition of some countersignature. These violent plays of preservation and substitution seem always to take place around the enigmatic figure of the mother – a monumental corpse instantiated in the essay through the name ‘Notre-Dame de la Garde’.\",\"PeriodicalId\":43403,\"journal\":{\"name\":\"OXFORD LITERARY REVIEW\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"OXFORD LITERARY REVIEW\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/olr.2022.0381\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"OXFORD LITERARY REVIEW","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/olr.2022.0381","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
引用次数: 0
摘要
这篇文章讲述了雅克·德里达的几篇文章之间的相遇(尤其是回忆录 – 保罗·德曼(Paul de Man)、《生死》(Life Death)和《格拉斯》(Glas。通过对马克思、尼采和弗洛伊德的解读,德里达表明,记忆和纪念活动总是涉及提名和分类的斗争,对逝者的侵占和征用的嫉妒运动,为名字而战的战争汇聚到某种连署。这些保存和替代的暴力游戏似乎总是围绕着神秘的母亲形象发生 – 一具不朽的尸体在文章中以“花园圣母院”的名字出现。
This essay stages an encounter between several texts by Jacques Derrida (notably Memoires – for Paul de Man, Life Death, and Glas) which delineate the contours of what could be called a ‘memorial agonistics’. Through readings of Marx, Nietzsche and Freud, Derrida shows that memory and commemorations always involve struggles in nomination and classification, jealous movements of appropriation and expropriation of the departed, wars in and for the name converging towards the imposition of some countersignature. These violent plays of preservation and substitution seem always to take place around the enigmatic figure of the mother – a monumental corpse instantiated in the essay through the name ‘Notre-Dame de la Garde’.
期刊介绍:
Oxford Literary Review, founded in the 1970s, is Britain"s oldest journal of literary theory. It is concerned especially with the history and development of deconstructive thinking in all areas of intellectual, cultural and political life. In the past, Oxford Literary Review has published new work by Derrida, Blanchot, Barthes, Foucault, Lacoue-Labarthe, Nancy, Cixous and many others, and it continues to publish innovative and controversial work in the tradition and spirit of deconstruction. Planned issues include ‘Writing and Immortality’, "Word of War" and ‘Deconstruction and Environmentalism’.