植物生态学:菲利普·雷德利的《颤栗》和大卫·埃尔德里奇的《在巴顿》中的后制造业时代

IF 0.4 0 THEATER
Christian Attinger
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引用次数: 0

摘要

本文认为,杰森·摩尔(Jason W. Moore)提出的所谓“资本世”(Capitalocene),通过解决威胁人类生存基本要素的系统和意识形态缺陷,增强了人类世的推理。迄今为止,这些缺陷经常被“绿色算术”(Green Arithmetic)和对技术的天真信仰所忽视或忽视。菲利普·雷德利(Philip Ridley)的《颤抖》(2012)和大卫·埃尔德里奇(David Eldridge)的《在巴斯尔登》(2012)表明,资本新世及其对理解全球资本主义的生态和社会后果的尝试,为分析当代政治戏剧提供了一个令人兴奋的新视角,尤其是在后制造业时代的工业工厂生态方面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
An Ecology of Plants: The Post-Manufacturing Age in Philip Ridley’s Shivered and David Eldridge’s In Basildon
Abstract The article argues that the so-called Capitalocene, proposed by Jason W. Moore, augments Anthropocenic reasoning by addressing the systemic and ideological shortcomings threatening the very basics of human existence that hitherto have so often been neglected or simply missed by “Green Arithmetic” and a naive belief in technology. The readings of Philip Ridley’s Shivered (2012) and David Eldridge’s In Basildon (2012) illustrate that the Capitalocene and its attempts at understanding the ecological and social consequences of global capitalism offer an exciting new lens for the analysis of contemporary political drama, especially with regard to the ecology of industrial plants in the post-manufacturing age.
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CiteScore
0.80
自引率
40.00%
发文量
20
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