古希腊死亡的拟人化和肖像

Emilio Crespo Güemes
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引用次数: 0

摘要

这篇文章汇集了从荷马到希腊化时代开始的文学和视觉艺术中对死亡人格化的提及和表现。它着重于荷马的《伊利亚特》、赫西奥德的《神权》、悲剧和由欧弗罗尼奥斯画的著名的火山口,它代表了在赫尔墨斯在场的情况下,死亡和睡眠将萨皮顿的尸体从地上抬起来运送到他的祖国的那一刻。文章认为,《死亡与睡眠》中Sarpedon的遗体被转移的神话场景被重新解释为任何在国外为祖国而战的雅典公民的遗体被遣返,修昔底德在他的《伯罗奔尼撒战争史》中提到的法律强制规定了这一点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Personificación e iconografía de la muerte en la Grecia antigua
This article brings together mentions and representations of the personification of Death in literature and the visual arts from Homer to the beginning of the Hellenistic era. It focuses on Homer’s Iliad, Hesiod’s Theogony, tragedy and the famous crater painted by Euphronios, which represents the moment when Death and Sleep, in the presence of Hermes, raise Sarpedon’s corpse from the ground to transport it to his native land. The article argues that the scene of the mythical transfer of Sarpedon’s body by Death and Sleep was reinterpreted as the repatriation of the body of any Athenian citizen who had died abroad in fight for the homeland, which the law mentioned by Thucydides in his History of the Peloponnesian War imposed.
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