{"title":"偶像政治化:流行中的中国偶像狂热民族主义","authors":"Yan Wang, Ting Luo","doi":"10.1080/1369118X.2022.2161827","DOIUrl":null,"url":null,"abstract":"ABSTRACT Chinese idol fans have been identified among the main forces in cyber nationalist activisms in recent years, acting as the nationalist fans protecting the state as an idol in response to external political shocks. Their skills in acknowledging, involving, and even reinventing the image of the state and national pride in cyber nationalist activisms do not emerge in a vacuum. This article examines how idol fans involve and reinvent the nationalist discourse in their everyday fan activities – idol promotion. We focus on the pandemic in 2020 as it provides a specific social and political context that allows us to understand better the interaction between idol fans and the state in their mundane fan activities. We construct our analysis under the computational grounded theory framework with over 6 million fan posts collected from Weibo and 11 in-depth interviews with active idol fans. Our findings show that when engaging in pandemic-related discussion, idol fans actively borrowed official discourse on nationalism and strategically responded to key political and social events in their idol promotion activities. The idol images they built are not only positive but also nationalist. Therefore, they play not only the commercial logic commonly seen in the Japanese and Korean K-pop/idol culture but also the political logic propagated by the state in China.","PeriodicalId":48335,"journal":{"name":"Information Communication & Society","volume":"26 1","pages":"304 - 320"},"PeriodicalIF":4.2000,"publicationDate":"2022-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Politicizing for the idol: China’s idol fandom nationalism in pandemic\",\"authors\":\"Yan Wang, Ting Luo\",\"doi\":\"10.1080/1369118X.2022.2161827\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Chinese idol fans have been identified among the main forces in cyber nationalist activisms in recent years, acting as the nationalist fans protecting the state as an idol in response to external political shocks. Their skills in acknowledging, involving, and even reinventing the image of the state and national pride in cyber nationalist activisms do not emerge in a vacuum. This article examines how idol fans involve and reinvent the nationalist discourse in their everyday fan activities – idol promotion. We focus on the pandemic in 2020 as it provides a specific social and political context that allows us to understand better the interaction between idol fans and the state in their mundane fan activities. We construct our analysis under the computational grounded theory framework with over 6 million fan posts collected from Weibo and 11 in-depth interviews with active idol fans. Our findings show that when engaging in pandemic-related discussion, idol fans actively borrowed official discourse on nationalism and strategically responded to key political and social events in their idol promotion activities. The idol images they built are not only positive but also nationalist. Therefore, they play not only the commercial logic commonly seen in the Japanese and Korean K-pop/idol culture but also the political logic propagated by the state in China.\",\"PeriodicalId\":48335,\"journal\":{\"name\":\"Information Communication & Society\",\"volume\":\"26 1\",\"pages\":\"304 - 320\"},\"PeriodicalIF\":4.2000,\"publicationDate\":\"2022-12-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Information Communication & Society\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1080/1369118X.2022.2161827\",\"RegionNum\":1,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Information Communication & Society","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/1369118X.2022.2161827","RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"COMMUNICATION","Score":null,"Total":0}
Politicizing for the idol: China’s idol fandom nationalism in pandemic
ABSTRACT Chinese idol fans have been identified among the main forces in cyber nationalist activisms in recent years, acting as the nationalist fans protecting the state as an idol in response to external political shocks. Their skills in acknowledging, involving, and even reinventing the image of the state and national pride in cyber nationalist activisms do not emerge in a vacuum. This article examines how idol fans involve and reinvent the nationalist discourse in their everyday fan activities – idol promotion. We focus on the pandemic in 2020 as it provides a specific social and political context that allows us to understand better the interaction between idol fans and the state in their mundane fan activities. We construct our analysis under the computational grounded theory framework with over 6 million fan posts collected from Weibo and 11 in-depth interviews with active idol fans. Our findings show that when engaging in pandemic-related discussion, idol fans actively borrowed official discourse on nationalism and strategically responded to key political and social events in their idol promotion activities. The idol images they built are not only positive but also nationalist. Therefore, they play not only the commercial logic commonly seen in the Japanese and Korean K-pop/idol culture but also the political logic propagated by the state in China.
期刊介绍:
Drawing together the most current work upon the social, economic, and cultural impact of the emerging properties of the new information and communications technologies, this journal positions itself at the centre of contemporary debates about the information age. Information, Communication & Society (iCS) transcends cultural and geographical boundaries as it explores a diverse range of issues relating to the development and application of information and communications technologies (ICTs), asking such questions as: -What are the new and evolving forms of social software? What direction will these forms take? -ICTs facilitating globalization and how might this affect conceptions of local identity, ethnic differences, and regional sub-cultures? -Are ICTs leading to an age of electronic surveillance and social control? What are the implications for policing criminal activity, citizen privacy and public expression? -How are ICTs affecting daily life and social structures such as the family, work and organization, commerce and business, education, health care, and leisure activities? -To what extent do the virtual worlds constructed using ICTs impact on the construction of objects, spaces, and entities in the material world? iCS analyses such questions from a global, interdisciplinary perspective in contributions of the very highest quality from scholars and practitioners in the social sciences, gender and cultural studies, communication and media studies, as well as in the information and computer sciences.