对抗一只猫伊拉斯谟

IF 0.4 0 MEDIEVAL & RENAISSANCE STUDIES
N. Mout
{"title":"对抗一只猫伊拉斯谟","authors":"N. Mout","doi":"10.1163/18749275-03902003","DOIUrl":null,"url":null,"abstract":"\n The publication of the fiftieth volume of Erasmi Opera Omnia (ASD), a series begun in 1969, leads to an examination of Erasmus as editor of texts, of which his editions of the New Testament and of patristic writings hold pride of place. Treatment of the question how Erasmus himself rated editions and editors is preceded by an assessment of his public persona. The disputatious or outright polemical Erasmus showed himself not at all, as Huizinga would have it, “restricted to the feline” in his expressions about other scholars and their work. Erasmus’ ideas about the making or the appreciation of an edition often started from the negative: who is not able to make or to appreciate a good edition, and what exactly is a bad edition? In the end, however, while discussing St Augustine’s works he drew a portrait of the ideal editor.","PeriodicalId":40983,"journal":{"name":"Erasmus Studies","volume":" ","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2019-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/18749275-03902003","citationCount":"0","resultStr":"{\"title\":\"Against a Feline Erasmus\",\"authors\":\"N. Mout\",\"doi\":\"10.1163/18749275-03902003\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n The publication of the fiftieth volume of Erasmi Opera Omnia (ASD), a series begun in 1969, leads to an examination of Erasmus as editor of texts, of which his editions of the New Testament and of patristic writings hold pride of place. Treatment of the question how Erasmus himself rated editions and editors is preceded by an assessment of his public persona. The disputatious or outright polemical Erasmus showed himself not at all, as Huizinga would have it, “restricted to the feline” in his expressions about other scholars and their work. Erasmus’ ideas about the making or the appreciation of an edition often started from the negative: who is not able to make or to appreciate a good edition, and what exactly is a bad edition? In the end, however, while discussing St Augustine’s works he drew a portrait of the ideal editor.\",\"PeriodicalId\":40983,\"journal\":{\"name\":\"Erasmus Studies\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2019-09-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1163/18749275-03902003\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Erasmus Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/18749275-03902003\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MEDIEVAL & RENAISSANCE STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Erasmus Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/18749275-03902003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MEDIEVAL & RENAISSANCE STUDIES","Score":null,"Total":0}
引用次数: 0

摘要

伊拉斯米歌剧Omnia (ASD)的第五十卷的出版,始于1969年的系列,导致了对伊拉斯谟作为文本编辑的审查,其中他的新约和教父著作的版本占据了骄傲的地位。在处理伊拉斯谟自己如何评价版本和编辑的问题之前,要先评估他的公众形象。伊拉斯谟是一个爱争论的人,他对其他学者和他们的工作的评价,完全不像赫伊金加所说的那样,“局限于猫”。伊拉斯谟关于制作或欣赏版本的想法通常是从消极的角度开始的:谁不能制作或欣赏一个好的版本,什么是坏的版本?然而,最后,在讨论圣奥古斯丁的作品时,他描绘了一幅理想编辑的肖像。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Against a Feline Erasmus
The publication of the fiftieth volume of Erasmi Opera Omnia (ASD), a series begun in 1969, leads to an examination of Erasmus as editor of texts, of which his editions of the New Testament and of patristic writings hold pride of place. Treatment of the question how Erasmus himself rated editions and editors is preceded by an assessment of his public persona. The disputatious or outright polemical Erasmus showed himself not at all, as Huizinga would have it, “restricted to the feline” in his expressions about other scholars and their work. Erasmus’ ideas about the making or the appreciation of an edition often started from the negative: who is not able to make or to appreciate a good edition, and what exactly is a bad edition? In the end, however, while discussing St Augustine’s works he drew a portrait of the ideal editor.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
Erasmus Studies
Erasmus Studies MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.40
自引率
0.00%
发文量
12
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信