S. J. Philibotte, Stephen Spivack, Nathaniel H. Spilka, I. Passman, P. Wallisch
{"title":"整体与局部并无不同","authors":"S. J. Philibotte, Stephen Spivack, Nathaniel H. Spilka, I. Passman, P. Wallisch","doi":"10.1525/mp.2023.40.3.220","DOIUrl":null,"url":null,"abstract":"Music psychology has a long history, but the question of whether brief music excerpts are representative of whole songs has been largely unaddressed. Here, we explore whether preference and familiarity ratings in response to excerpts are predictive of these ratings in response to whole songs. We asked 643 participants to judge 3,120 excerpts of varying durations taken from different sections of 260 songs from a broad range of genres and time periods in terms of preference and familiarity. We found that within the range of durations commonly used in music research, responses to excerpts are strongly predictive of whole song affect and cognition, with only minor effects of duration and location within the song. We concluded that preference and familiarity ratings in response to brief music excerpts are representative of the responses to whole songs. Even the shortest excerpt duration that is commonly used in research yields preference and familiarity ratings that are close to those for whole songs, suggesting that listeners are able to rapidly and reliably ascertain recognition as well as preference and familiarity ratings of whole songs.","PeriodicalId":47786,"journal":{"name":"Music Perception","volume":" ","pages":""},"PeriodicalIF":1.3000,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Whole is Not Different From its Parts\",\"authors\":\"S. J. Philibotte, Stephen Spivack, Nathaniel H. Spilka, I. Passman, P. Wallisch\",\"doi\":\"10.1525/mp.2023.40.3.220\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Music psychology has a long history, but the question of whether brief music excerpts are representative of whole songs has been largely unaddressed. Here, we explore whether preference and familiarity ratings in response to excerpts are predictive of these ratings in response to whole songs. We asked 643 participants to judge 3,120 excerpts of varying durations taken from different sections of 260 songs from a broad range of genres and time periods in terms of preference and familiarity. We found that within the range of durations commonly used in music research, responses to excerpts are strongly predictive of whole song affect and cognition, with only minor effects of duration and location within the song. We concluded that preference and familiarity ratings in response to brief music excerpts are representative of the responses to whole songs. Even the shortest excerpt duration that is commonly used in research yields preference and familiarity ratings that are close to those for whole songs, suggesting that listeners are able to rapidly and reliably ascertain recognition as well as preference and familiarity ratings of whole songs.\",\"PeriodicalId\":47786,\"journal\":{\"name\":\"Music Perception\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":1.3000,\"publicationDate\":\"2023-02-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Music Perception\",\"FirstCategoryId\":\"102\",\"ListUrlMain\":\"https://doi.org/10.1525/mp.2023.40.3.220\",\"RegionNum\":2,\"RegionCategory\":\"心理学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Music Perception","FirstCategoryId":"102","ListUrlMain":"https://doi.org/10.1525/mp.2023.40.3.220","RegionNum":2,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Music psychology has a long history, but the question of whether brief music excerpts are representative of whole songs has been largely unaddressed. Here, we explore whether preference and familiarity ratings in response to excerpts are predictive of these ratings in response to whole songs. We asked 643 participants to judge 3,120 excerpts of varying durations taken from different sections of 260 songs from a broad range of genres and time periods in terms of preference and familiarity. We found that within the range of durations commonly used in music research, responses to excerpts are strongly predictive of whole song affect and cognition, with only minor effects of duration and location within the song. We concluded that preference and familiarity ratings in response to brief music excerpts are representative of the responses to whole songs. Even the shortest excerpt duration that is commonly used in research yields preference and familiarity ratings that are close to those for whole songs, suggesting that listeners are able to rapidly and reliably ascertain recognition as well as preference and familiarity ratings of whole songs.
期刊介绍:
Music Perception charts the ongoing scholarly discussion and study of musical phenomena. Publishing original empirical and theoretical papers, methodological articles and critical reviews from renowned scientists and musicians, Music Perception is a repository of insightful research. The broad range of disciplines covered in the journal includes: •Psychology •Psychophysics •Linguistics •Neurology •Neurophysiology •Artificial intelligence •Computer technology •Physical and architectural acoustics •Music theory