斯特林堡在《父亲》中对焦虑的表达:在自然决定论与存在非决定论之间

IF 0.3 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Markus Floris Christensen
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引用次数: 0

摘要

Fadren (1887;《父亲》[1998]历来被认为是斯特林堡的自然主义戏剧之一。然而,它也被解读为一部预示着象征主义、虚无主义和表现主义等运动的戏剧一些自然主义解释的支持者将他们的论点建立在戏剧的主题上,指出剧中发生的两性之间的权力斗争,并声称这是一个典型的自然主义修辞。在这条研究路线中,一些学者提到斯特林堡的个人野心,成为自然主义欧洲戏剧场景的一部分,当他将手稿邮寄给Émile左拉以获得他的认可时,这一点变得明显。其他学者则把注意力集中在戏剧的各种象征和神话修辞上,认为鬼魂、唯灵论和神话典故的表现超出了自然主义的框架
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Strindberg's Representation of Anxiety in The Father: Between Naturalistic Determinism and Existential Indeterminism
Fadren (1887; The Father [1998]) has traditionally been considered one of Strindberg’s naturalistic plays. However, it has also been read as a play that anticipates movements such as symbolism, nihilism, and expressionism.1 Some proponents of the naturalistic interpretation base their arguments on the thematics of the play, pointing to the power struggle between the sexes that takes place in the play and claiming that this is a prototypical naturalist trope. In this line of research, some scholars refer to Strindberg’s personal ambitions to become part of the naturalist European theater scene, which became apparent as he mailed the manuscript to Émile Zola in order to achieve his recognition. Other scholars zero in on the play’s various symbolic and mythopoeic tropes, arguing that the representation of ghosts, spiritualism, and mythological allusions goes beyond the naturalistic framework and
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来源期刊
SCANDINAVIAN STUDIES
SCANDINAVIAN STUDIES HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.30
自引率
25.00%
发文量
20
期刊介绍: Thank you for visiting the internet homepages of the Department of Scandinavian Studies at the University of Washington. The Department of Scandinavian Studies was founded in 1909 by a special act of the Washington State Legislature. In the 99 years of its existence, the Department has grown from a one-person program to a comprehensive Scandinavian Studies department with a faculty fully engaged in leading-edge scholarship, award-winning teaching and dedicated university and community service.
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