重新评估晚期拜占庭的杰作:君士坦丁堡圣索菲亚大教堂的Deesis马赛克

IF 0.3 4区社会学 N/A HUMANITIES, MULTIDISCIPLINARY

BYZANTINE AND MODERN GREEK STUDIES Pub Date : 2021-10-01 DOI:10.1017/byz.2021.13

Konstantinos Vapheiades

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引用次数: 2

摘要

在收复君士坦丁堡(1261年)之后，拜占庭的艺术生产经历了复苏。在拜占庭的首都，这一时期的标志是圣索菲亚大教堂的Deesis镶嵌板。这件作品构成了拜占庭艺术的“一次性”。这一事实提出了一系列问题，涉及马赛克的日期，创作者和赞助人，以及其创作的原因，因为没有任何资料提及这些事情。本研究试图重新审视这些问题。

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Reassessing a Late Byzantine masterpiece: the Deesis mosaic in the Hagia Sophia of Constantinople

After the recapture of Constantinople (1261) artistic production in Byzantium experienced a recovery. In the capital of Byzantium itself this period is marked by the mosaic panel of the Deesis in the Hagia Sophia. This work constitutes a ‘one-off’ in Byzantine art. This fact poses a series of questions concerning the dating, the creator and the patron of the mosaic, as well as the reasons for its creation, given that no source makes any reference to these matters. The present study attempts to re-examine these issues.

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来源期刊

BYZANTINE AND MODERN GREEK STUDIES HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： Byzantine and Modern Greek Studies is an internationally recognised, peer-reviewed journal and one of the leading publications in its field. It is viewed as an important outlet for current research. Published twice a year in spring and autumn, its remit has always been to facilitate the publication of high-quality research and discussion in all aspects of Byzantine and Modern Greek scholarship, whether historical, literary or social-anthropological. It welcomes research, criticism, contributions on theory and method in the form of articles, critical studies and short notes.