Manshūkoku(满洲国)的残余:今村英治,日本帝国主义下的朝鲜身份,和后殖民亚洲研究

IF 0.2 Q2 HISTORY
J. Solomon
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引用次数: 0

摘要

本文以今村英二(1911 - ?)为研究对象,探讨了日本语满语文学的小文风理论与教学诗学的发展。与此同时,它也在努力用后殖民时期的反身性来阅读日语漫语文学。今村英治是朝鲜族人,在日本占领的满洲,活跃于日语文坛。虽然他最出名的是短篇小说《旅伴》,但本文认为,他的作品和他在满洲国的地位,可以通过将他的多部作品并放在一起来更好地理解,其中包括另一部短篇小说《新子宫》。借用埃勒克·伯默(Elleke Boehmer)的“后殖民诗学”,我不仅从它们尝试的政治角度,而且从它们如何在美学和技术上做到这一点的角度来研究这些文本。我的结论是,今村创造了一种在其他当代文学作品中也可以观察到的小风格。虽然之前对今村的研究主要集中在解读他的种族政治,但我认为,我们必须通过保持对学术领域的当代政治以及学者与文本之间关系的认识,以更加谨慎和批判性的阅读为目标。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Remnants of Manshūkoku (Manchukuo): Imamura Eiji, Korean Identity under Japanese Imperialism, and Postcolonial Asian Studies
This paper takes Imamura Eiji (1911–?) as a case study in developing a theory of minor literary style and pedagogical poetics in Japaneselanguage Manshū literature. At the same time, it grapples with reading Japanese-language Manshū literature with postcolonial reflexivity. Imamura Eiji was an ethnic Korean who was an active participant in the Japanese language literary community of Japan-occupied Manchuria. While he is best known for his short story “Travel Companions,” this paper contends that his work and position within the Manchukuoan state can be better understood through the juxtaposition of multiple of his diverse works, including another short story entitled “New Womb.” Borrowing from Elleke Boehmer’s “postcolonial poetics,” I approach these texts from the perspective of not merely what politics they attempt, but also how they do so aesthetically and technologically. I conclude that Imamura produced a form of minor style observable in other contemporary literary production as well. While previous work on Imamura has laser focused on decoding his ethnic politics, I argue that we must aim for a more careful and critical reading by remaining aware of the contemporary politics of the academic field and relationality between scholar and text.
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CiteScore
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