城市妇女周:在塞内加尔说唱界宣传妇女

Q2 Arts and Humanities
Cecilia A Navarro
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引用次数: 2

摘要

人们对节日中性别平等的兴趣日益浓厚,与此形成鲜明对比的是,作为性别政治场所的节日相对缺乏学术关注。由一个促进城市文化的塞内加尔协会组织的“城市妇女周”——一个旨在促进女性参与嘻哈音乐,包括说唱音乐的塞内加尔节日——的例子让我重新审视节日的性别视角,同时解决女性在说唱音乐场景中被忽视的问题,这个问题被“塞内加尔嘻哈机构的父权冲动”所主导(Neff 2015: 460)。我们该如何理解塞内加尔节日组织者对女性的关注?在塞内加尔的背景下,说唱音乐是女性被赋予权力的特定领域吗?基于对塞内加尔说唱音乐现场的实地调查,我将音乐节的建立和演变定位为协会回应当地要求将女性纳入说唱音乐的一种方式,同时受益于性别主流化的全球议程,从而探索音乐中性别政治的全球复杂性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Urban Women Week: Promoting Women on the Senegalese Rap Scene
The growing interest in gender equality at festivals contrasts with the relative lack of scholarly attention given to festivals as sites of gender politics. Organized by a Senegalese association which promotes urban cultures, the example of Urban Women Week – a Senegalese festival which aims to promote women in hip hop, including rap music – leads me to revisit a gendered perspective on festivals while tackling the neglected issue of women’s presence in a rap music scene dominated by the “patriarchal impulses of the Senegalese hip hop establishment” (Neff 2015: 460). How are we to understand the adoption of a focus on women by the organizers of the festival in Senegal? Is rap music a specific place where women are empowered in the Senegalese context? Based on fieldwork carried out on the rap music scene in Senegal, I situate the establishment and evolution of the festival as a way for the association to respond to local claims for the inclusion of women in rap music while benefiting from a global agenda of gender mainstreaming, thereby exploring the glocal intricacies of gender politics in music.
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来源期刊
IASPM Journal
IASPM Journal Arts and Humanities-Music
CiteScore
0.30
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审稿时长
30 weeks
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