通过音乐线索进行情感表达的互动方法

Q1 Arts and Humanities
Annaliese Micallef Grimaud, T. Eerola
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引用次数: 4

摘要

先前的文献表明,结构和表达线索会影响音乐中表达的情感。然而,只对线索进行了一些系统的探索,通常集中在少数线索或有限数量的预定任意线索值上。本文提出了三个实验,研究了六种线索及其组合对音乐感知情感表达的影响。创作了28首音乐作品,旨在提供灵活、生态有效、陌生、新的刺激。在实验1中,96名参与者使用Likert量表评分来评估作品中表达了哪些情绪。在实验2中,参与者修改了刺激的子集(N = 42)通过六个可用的线索(节奏、模式、发音、音高、动态和亮度)来传达七种情绪(愤怒、悲伤、恐惧、喜悦、惊讶、平静和力量),解决了探索线索水平对表情影响的主要目的。实验3调查了实验2中参与者产生的原始刺激的变化在多大程度上表达了他们的预期情绪。参与者(N = 91)将它们与七首原创作品一起进行了评级,从而探索了两组相关作品之间的异同。为每种情绪确定了线索组合的总体模式。一些发现证实了之前的研究:模式和节奏是塑造情绪最具影响力的线索,悲伤和喜悦是最准确识别的情绪之一。新的发现包括软动态被用来传达愤怒,而动态和亮度是信息最少的线索。这些发现为研究音乐中的线索对情绪的影响提供了进一步的动机,将其作为多个线索的组合,而不是单独的线索,因为一个线索可能无法提供足够的信息来描绘特定的情绪。这些新发现和差异是结合当前的音乐和情感理论来讨论的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
An Interactive Approach to Emotional Expression Through Musical Cues
Previous literature suggests that structural and expressive cues affect the emotion expressed in music. However, only a few systematic explorations of cues have been done, usually focussing on a few cues or a limited amount of predetermined arbitrary cue values. This paper presents three experiments investigating the effect of six cues and their combinations on the music's perceived emotional expression. Twenty-eight musical pieces were created with the aim of providing flexible, ecologically valid, unfamiliar, new stimuli. In Experiment 1, 96 participants assessed which emotions were expressed in the pieces using Likert scale ratings. In Experiment 2, a subset of the stimuli was modified by participants (N = 42) via six available cues (tempo, mode, articulation, pitch, dynamics, and brightness) to convey seven emotions (anger, sadness, fear, joy, surprise, calmness, and power), addressing the main aim of exploring the impact of cue levels to expressions. Experiment 3 investigated how well the variations of the original stimuli created by participants in Experiment 2 expressed their intended emotion. Participants (N = 91) rated them alongside the seven original pieces, allowing the exploration of similarities and differences between the two sets of related pieces. An overall pattern of cue combinations was identified for each emotion. Some findings corroborate previous studies: mode and tempo were the most impactful cues in shaping emotions, and sadness and joy were amongst the most accurately recognised emotions. Novel findings include soft dynamics being used to convey anger, and dynamics and brightness being the least informative cues. These findings provide further motivation to investigate the effect of cues on emotions in music as combinations of multiple cues rather than as individual cues, as one cue might not give enough information to portray a specific emotion. The new findings and discrepancies are discussed in relation to current theories of music and emotions.
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来源期刊
Music  Science
Music Science Arts and Humanities-Music
CiteScore
2.80
自引率
0.00%
发文量
15
审稿时长
10 weeks
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