回收是拒绝世界末日

IF 0.4 2区艺术学 0 THEATER

TDR-The Drama Review-The Journal of Performance Studies Pub Date : 2023-03-01 DOI:10.1017/s105420432200082x

Kathleen M. Millar

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引用次数: 0

摘要

巴西里约热内卢的工人们如何看待气候危机，他们在垃圾场回收可回收物，这个地方长期与腐烂和死亡纠缠在一起？回收废物的行为提醒我们，如果不考虑其起源于种族资本主义的劳动和资本主义所要求的生产力，就不可能理解当前的危机。回收需要与退化共存，重塑一个似乎永远都在结束的世界。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Recycling as Refusing the End of the World

How is the climate crisis viewed by workers in Rio de Janeiro, Brazil, who reclaim recyclables on a garbage dump — a place long entangled with decay and death? The act of reclaiming waste is a reminder that it is impossible to understand the current crisis without considering its origins in the labor of racial capitalism and in the productivism that capitalism demands. Reclaiming requires staying with degradation, remaking a world that is seemingly always ending.

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来源期刊

TDR-The Drama Review-The Journal of Performance Studies THEATER-

CiteScore

0.80

自引率

33.30%

发文量

期刊介绍： TDR traces the broad spectrum of performances, studying performances in their aesthetic, social, economic, and political contexts. With an emphasis on experimental, avant-garde, intercultural, and interdisciplinary performance, TDR covers performance art, theatre, dance, music, visual art, popular entertainments, media, sports, rituals, and the performance in and of politics and everyday life. Each fully illustrated issue includes: -Articles on theatre, dance, popular entertainments, rituals, politics, and social life: the whole broad spectrum of performance -Original contributions to performance theory -Editorial comments, critical analysis, and book reviews -Articles by social scientists, cultural commentators, theorists, artists, scholars, and critics -Interviews with performers, choreographers, directors, composers, and performance artists -Texts of performance works -Translations of important new and decisive archival writings on performance