{"title":"“救赎与山谷,盐”:劳拉·塞雷塔《亚述葬礼祈祷》中的讽刺与慰藉","authors":"Quinn Griffin","doi":"10.30986/2018.069","DOIUrl":null,"url":null,"abstract":"The humanist Laura Cereta of Brescia (1469-1499) produced during her lifetime one collection of letters and a Latin dialogue entitled \"In asinarium funus oratio\" (\"Oration on the Funeral of a Donkey\"). In this dialogue, Cereta herself appears as the chief interlocutor, consoling the donkey’s owners with a blend of ancient philosophies. This paper will further the understanding of Cereta’s Oratio in three ways: first, by placing it in the context of the humanist and classical genres of dialogue, consolation, and satirical encomium; second, by considering the relevance of the donkey to the work as a whole; and finally, by exploring Cereta’s reception of classical authors in the context of her consolation. The paper argues that Cereta’s blending of genres and use of a donkey as the subject of her oration work to create a safe space for the humanist woman to showcase her rhetorical talents.","PeriodicalId":52918,"journal":{"name":"Humanistica Lovaniensia","volume":"67 1","pages":"69-89"},"PeriodicalIF":0.0000,"publicationDate":"2018-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"'Salve atque vale, aselle': Satire and Consolation in Laura Cereta’s \\\"In asinarium funus oratio\\\"\",\"authors\":\"Quinn Griffin\",\"doi\":\"10.30986/2018.069\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The humanist Laura Cereta of Brescia (1469-1499) produced during her lifetime one collection of letters and a Latin dialogue entitled \\\"In asinarium funus oratio\\\" (\\\"Oration on the Funeral of a Donkey\\\"). In this dialogue, Cereta herself appears as the chief interlocutor, consoling the donkey’s owners with a blend of ancient philosophies. This paper will further the understanding of Cereta’s Oratio in three ways: first, by placing it in the context of the humanist and classical genres of dialogue, consolation, and satirical encomium; second, by considering the relevance of the donkey to the work as a whole; and finally, by exploring Cereta’s reception of classical authors in the context of her consolation. The paper argues that Cereta’s blending of genres and use of a donkey as the subject of her oration work to create a safe space for the humanist woman to showcase her rhetorical talents.\",\"PeriodicalId\":52918,\"journal\":{\"name\":\"Humanistica Lovaniensia\",\"volume\":\"67 1\",\"pages\":\"69-89\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-03-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Humanistica Lovaniensia\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30986/2018.069\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Humanistica Lovaniensia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30986/2018.069","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
'Salve atque vale, aselle': Satire and Consolation in Laura Cereta’s "In asinarium funus oratio"
The humanist Laura Cereta of Brescia (1469-1499) produced during her lifetime one collection of letters and a Latin dialogue entitled "In asinarium funus oratio" ("Oration on the Funeral of a Donkey"). In this dialogue, Cereta herself appears as the chief interlocutor, consoling the donkey’s owners with a blend of ancient philosophies. This paper will further the understanding of Cereta’s Oratio in three ways: first, by placing it in the context of the humanist and classical genres of dialogue, consolation, and satirical encomium; second, by considering the relevance of the donkey to the work as a whole; and finally, by exploring Cereta’s reception of classical authors in the context of her consolation. The paper argues that Cereta’s blending of genres and use of a donkey as the subject of her oration work to create a safe space for the humanist woman to showcase her rhetorical talents.