注释指南No. 6: santa6协作注释作为理论与实践之间的教学工具

Q1 Arts and Humanities
Matthias Bauer, Miriam Lahrsow
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引用次数: 0

摘要

这些指导方针是在我们的研讨会“文学研究中的数字方法”中制定的,该研讨会面向硕士生和高级学士生。1在研讨会开始时,向学生介绍了数字注释的目标和挑战,以及不同的叙事理论(包括Genette、Ryan、Nelles和Füredy)。由于其叙事挑战性,玛丽·雪莱的《弗兰肯斯坦》被选为一本文本,我们可以根据它来测试我们的指导方针,并引发了它们的修改。在《弗兰肯斯坦》中,许多变化(例如叙述者和叙述者)发生在章节的开头。当然,尽管这些变化也可以在章节的中间找到,但注释者应该特别注意章节的开头,因为它们通常与叙述者、叙述者或被叙述世界的变化相吻合。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Annotation Guideline No. 6: SANTA 6 Collaborative Annotation as a Teaching Tool Between Theory and Practice
These guidelines were developed in our seminar “Digital Methods in Literary Studies”, which was aimed at M.A. students and advanced B.A. students.1 At the beginning of the seminar, students were introduced to the aims and challenges of digital annotating in general as well as to different narratological theories (including Genette, Ryan, Nelles, and Füredy). Due to its narratologically challenging nature, Mary Shelley’s Frankenstein was chosen as a text against which we could test our guidelines and which triggered their modification. In Frankensteinmany changes (e.g. of narrator and narratee) occur at the beginning of chapters. Even though such changes can, of course, also be found in the middle of chapters, annotators should pay special attention to the beginning of chapters, because they often coincide with a change in narrator, narratee, or narrated world.
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来源期刊
Journal of Cultural Analytics
Journal of Cultural Analytics Arts and Humanities-Literature and Literary Theory
CiteScore
2.90
自引率
0.00%
发文量
9
审稿时长
10 weeks
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