{"title":"注释指南No. 6: santa6协作注释作为理论与实践之间的教学工具","authors":"Matthias Bauer, Miriam Lahrsow","doi":"10.22148/001c.11747","DOIUrl":null,"url":null,"abstract":"These guidelines were developed in our seminar “Digital Methods in Literary Studies”, which was aimed at M.A. students and advanced B.A. students.1 At the beginning of the seminar, students were introduced to the aims and challenges of digital annotating in general as well as to different narratological theories (including Genette, Ryan, Nelles, and Füredy). Due to its narratologically challenging nature, Mary Shelley’s Frankenstein was chosen as a text against which we could test our guidelines and which triggered their modification. In Frankensteinmany changes (e.g. of narrator and narratee) occur at the beginning of chapters. Even though such changes can, of course, also be found in the middle of chapters, annotators should pay special attention to the beginning of chapters, because they often coincide with a change in narrator, narratee, or narrated world.","PeriodicalId":33005,"journal":{"name":"Journal of Cultural Analytics","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2020-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Annotation Guideline No. 6: SANTA 6 Collaborative Annotation as a Teaching Tool Between Theory and Practice\",\"authors\":\"Matthias Bauer, Miriam Lahrsow\",\"doi\":\"10.22148/001c.11747\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"These guidelines were developed in our seminar “Digital Methods in Literary Studies”, which was aimed at M.A. students and advanced B.A. students.1 At the beginning of the seminar, students were introduced to the aims and challenges of digital annotating in general as well as to different narratological theories (including Genette, Ryan, Nelles, and Füredy). Due to its narratologically challenging nature, Mary Shelley’s Frankenstein was chosen as a text against which we could test our guidelines and which triggered their modification. In Frankensteinmany changes (e.g. of narrator and narratee) occur at the beginning of chapters. Even though such changes can, of course, also be found in the middle of chapters, annotators should pay special attention to the beginning of chapters, because they often coincide with a change in narrator, narratee, or narrated world.\",\"PeriodicalId\":33005,\"journal\":{\"name\":\"Journal of Cultural Analytics\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-01-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Cultural Analytics\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.22148/001c.11747\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Cultural Analytics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22148/001c.11747","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
Annotation Guideline No. 6: SANTA 6 Collaborative Annotation as a Teaching Tool Between Theory and Practice
These guidelines were developed in our seminar “Digital Methods in Literary Studies”, which was aimed at M.A. students and advanced B.A. students.1 At the beginning of the seminar, students were introduced to the aims and challenges of digital annotating in general as well as to different narratological theories (including Genette, Ryan, Nelles, and Füredy). Due to its narratologically challenging nature, Mary Shelley’s Frankenstein was chosen as a text against which we could test our guidelines and which triggered their modification. In Frankensteinmany changes (e.g. of narrator and narratee) occur at the beginning of chapters. Even though such changes can, of course, also be found in the middle of chapters, annotators should pay special attention to the beginning of chapters, because they often coincide with a change in narrator, narratee, or narrated world.