{"title":"马塞尔·杜尚，《诱惑者的日记》","authors":"D. R. González","doi":"10.1387/ARS-BILDUMA.15583","DOIUrl":null,"url":null,"abstract":"Marcel Duchamp's life's work is feasible thanks to the possibility, to its expansion. As an underground, conciliatory of opposites artst, amplifes daily life through imaginaton or irony incorporatng in art objects obsessions of our permanent interest. One of them is erotc, and just as in the feld of irony, Soren Kierkegaard and his Diary of a Seducer become here accomplices to confgure a plastc sequence of uncertain visual precedent that will be, however, the key for the development of his next expression.","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2017-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Marcel Duchamp, diario de un seductor\",\"authors\":\"D. R. González\",\"doi\":\"10.1387/ARS-BILDUMA.15583\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Marcel Duchamp's life's work is feasible thanks to the possibility, to its expansion. As an underground, conciliatory of opposites artst, amplifes daily life through imaginaton or irony incorporatng in art objects obsessions of our permanent interest. One of them is erotc, and just as in the feld of irony, Soren Kierkegaard and his Diary of a Seducer become here accomplices to confgure a plastc sequence of uncertain visual precedent that will be, however, the key for the development of his next expression.\",\"PeriodicalId\":40150,\"journal\":{\"name\":\"Ars Bilduma\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2017-06-12\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Ars Bilduma\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1387/ARS-BILDUMA.15583\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ars Bilduma","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1387/ARS-BILDUMA.15583","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Marcel Duchamp's life's work is feasible thanks to the possibility, to its expansion. As an underground, conciliatory of opposites artst, amplifes daily life through imaginaton or irony incorporatng in art objects obsessions of our permanent interest. One of them is erotc, and just as in the feld of irony, Soren Kierkegaard and his Diary of a Seducer become here accomplices to confgure a plastc sequence of uncertain visual precedent that will be, however, the key for the development of his next expression.
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