文化相关性和反应性音乐教学的基础框架

E. S. Palmer, J. Vodicka, Tina Huynh, Christine D’Alexander, Lisa Crawford
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引用次数: 3

摘要

在Ladson–Billings、Lind和McKoy以及Shaw的工作基础上,我们提出的框架考虑了音乐体验和背景的深度和广度、音乐内容以及音乐文化的多样性。拟议的框架包括四个象限:(a)教师能力,(b)知情选择,(c)真实性,以及(d)整体和比较课程。该框架为K-16教师提供了切实可行的方法来实施教学法,这种教学法经常被误解或实施不忠实,因此无效。每个象限的描述和细节都为教育工作者提供了指导,支持他们个人的音乐成长,促进与学生的真实关系,真实的表演,以及包含多种音乐视角和起源的课程规划的精心构思。Muñiz和Richards等人承认,社区支持和教师能力对于有效实施与文化相关的教学法至关重要,从而促进学生的学业成长。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Grounded Framework for Culturally Relevant and Responsive Music Teaching
Building upon the work of Ladson–Billings, Lind and McKoy, and Shaw, our proposed framework takes into consideration the depth and breadth of musical experiences and contexts, musical content, and the diversity of musical cultures. The proposed framework includes four quadrants: (a) teacher competencies, (b) informed choices, (c) authenticity, and (d) holistic and comparative lessons. The framework provides K–16 teachers with tangible, accessible, and actionable methods for implementing a teaching pedagogy that has often been misunderstood or implemented without fidelity, and therefore ineffective. Each quadrant’s description and detail provide educators with guidance, supporting their individual musical growth, facilitating authentic relationships with students, authentic performances, and careful idea development for lesson planning that is inclusive of multiple musical perspectives and origins. Muñiz and Richards et al. acknowledged that community support and teacher capacity are essential for culturally relevant pedagogy to be implemented effectively, thus increasing students’ academic growth.
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