{"title":"修订民族志照片","authors":"Candice Steele","doi":"10.1080/02582473.2022.2144940","DOIUrl":null,"url":null,"abstract":"ABSTRACT This paper attempts to destabilise the ethnographic photographic genre through an exploration of some of the photographs contained in the Pauline Ingle Photographic Evaluation and Realisation (PIPER) project. By locating the collection alongside contemporary recuperative attempts to refigure the archive, the paper explores both the mutability of photographic genres and the ways in which the approaches and techniques of her photography in a rural area complicate an ethnographic reading.","PeriodicalId":45116,"journal":{"name":"South African Historical Journal","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Revisioning the Ethnographic Photograph\",\"authors\":\"Candice Steele\",\"doi\":\"10.1080/02582473.2022.2144940\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This paper attempts to destabilise the ethnographic photographic genre through an exploration of some of the photographs contained in the Pauline Ingle Photographic Evaluation and Realisation (PIPER) project. By locating the collection alongside contemporary recuperative attempts to refigure the archive, the paper explores both the mutability of photographic genres and the ways in which the approaches and techniques of her photography in a rural area complicate an ethnographic reading.\",\"PeriodicalId\":45116,\"journal\":{\"name\":\"South African Historical Journal\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"South African Historical Journal\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1080/02582473.2022.2144940\",\"RegionNum\":3,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"South African Historical Journal","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/02582473.2022.2144940","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
ABSTRACT This paper attempts to destabilise the ethnographic photographic genre through an exploration of some of the photographs contained in the Pauline Ingle Photographic Evaluation and Realisation (PIPER) project. By locating the collection alongside contemporary recuperative attempts to refigure the archive, the paper explores both the mutability of photographic genres and the ways in which the approaches and techniques of her photography in a rural area complicate an ethnographic reading.
期刊介绍:
Over the past 40 years, the South African Historical Journal has become renowned and internationally regarded as a premier history journal published in South Africa, promoting significant historical scholarship on the country as well as the southern African region. The journal, which is linked to the Southern African Historical Society, has provided a high-quality medium for original thinking about South African history and has thus shaped - and continues to contribute towards defining - the historiography of the region.