重新领土化城市:青年和雷鬼音乐在瓦努阿图的生产作用

IF 0.5 3区 社会学 Q3 ANTHROPOLOGY
Daniela Kraemer, Monika Stern
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引用次数: 0

摘要

在瓦努阿图,雷鬼音乐的流行自20世纪80年代末以来一直在上升。今天,雷鬼音乐和雷鬼文化无处不在。对于瓦努阿图首都维拉港的许多年轻人来说,这是他们对这座城市归属感的一个基本组成部分。他们之所以喜欢雷鬼音乐,是因为雷鬼音乐传递了友爱、平等和正义的信息。本文认为,对于许多城市青年来说,演奏、消费和分享雷鬼音乐和文化有助于他们的城市场所创造活动,并有助于他们在城市空间中重新定位自己。根据民族志研究,我们展示了它的歌词和信息在多大程度上引起了年轻人的共鸣,他们觉得自己无法通过其他媒介表达对社会、经济和政治的不满。此外,我们还展示了对许多年轻人来说,雷鬼音乐传达了一种希望,鼓励他们为自己和孩子建立新的生活或“祖国”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Re-territorializing the city: Youth and the productive role of reggae music in Vanuatu

In Vanuatu, the popularity of reggae music has been on the rise since the late 1980s. Today, reggae music and reggae culture is ubiquitous. For many young people in Port Vila, Vanuatu's capital city, it is a fundamental component of their sense of belonging to the city. Their attraction to reggae derives from its messages of camaraderie, equality and justice. This paper argues that for many urban youth, playing, consuming and sharing reggae music and culture instrumentalises their urban place-making activities and helps reterritorialise themselves in urban spaces. Drawing on ethnographic research, we demonstrate the extent to which its lyrics and messages resonate with youth who feel they are unable to express their social, economic and political discontent through other mediums. Furthermore, we show how for many youth, reggae conveys a sense of hopefulness that emboldens them to build a new life or ‘father land’ for themselves and their children.

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来源期刊
CiteScore
1.50
自引率
12.50%
发文量
38
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