“要画光,你需要阴影”:用图形艺术来对抗基于性别的暴力

IF 0.3 0 ASIAN STUDIES
Bonnie Zare
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引用次数: 0

摘要

由于街头骚扰和性暴力的频繁发生,印度妇女面临着持续的不安全感;这影响了他们的旅行自由和自主意识。2012年12月的Nirbhaya案(一名德里医科学生被强奸致死)使强奸问题重新回到公众讨论中,引发了大规模抗议,并最终出台了一些更强有力的反强奸法;然而,“我也是”(#metoo)的指控每周都会浮出水面,艺术家和活动人士要求停止轻视强奸和言语虐待,并采取积极措施拆除支撑女性受到侵犯的文化脚手架。2014年,Zubaan出版社(新德里)和歌德学院(德国)合作,将一群印度平面艺术家聚集在一起,创作关于女性现实和她们所经历的微侵犯的故事。由此产生的出版物《划一界限:印度妇女的反击》包含14个小插图,揭示了妇女所经历的限制,也阐明了妇女的坚韧和勇敢的能力。本文分析了这些叙事中想象的抵抗形式,特定的故事如何揭示了缓慢的暴力,以及如果我们对对妇女犯下这些行为的肇事者知之甚少,可能会失去什么。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘To draw light, you need shadow’: Using graphic art to counter gender based violence in Drawing the Line
ABSTRACT Women in India cope with an ongoing sense of precarity owing to the frequency of street harassment and sexual violence; this impacts their freedom to travel and sense of autonomous agency. The December 2012 Nirbhaya case, the rape and fatal injury of a Delhi medical student, returned the subject of rape to public discourse leading to mass protests and, eventually, some stronger anti-rape laws; however, #metoo allegations surface weekly, and artists and activists are demanding that the trivialization of rape and verbal abuse stop and active steps be taken to dismantle the cultural scaffolding undergirding twomen's violation. In 2014 a collaboration by Zubaan Press (New Delhi) and the Goethe Institute (Germany) brought a group of Indian graphic artists together to create stories about women’s ground realities and the microaggressions they experience. The resulting publication, Drawing the Line: Indian Women Fight Back, contains fourteen vignettes which reveal the constraints women experience and also illuminate women’s capacity for resilience and boldness. This essay analyzes the forms of resistance imagined in these narratives, how particular stories illuminate slow violence, and what may be lost if we know little about the perpetrators who commit these acts against women.
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来源期刊
South Asian Popular Culture
South Asian Popular Culture Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.00
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发文量
29
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