{"title":"鹿的遗产:作为塞内加尔妇女抵抗和自我赋权的一种形式的殉难","authors":"C. Lo","doi":"10.2979/africatoday.68.3.02","DOIUrl":null,"url":null,"abstract":"Abstract:In the former Wolof kingdom of Waalo, Senegal, in 1820, women of the town of Ndeer burned themselves to death in defiant resistance against a coalition of Futa Muslim clerics and marauding Moors. This article looks beyond the historicity of that event and examines the process by which its commemorations, through the lens of heritage, empower modern Waalo and Senegalese women in a prelude to International Women's Day. Observation, distance ethnography, and a textual analysis of Nder en Flammes, a play by Alioune Badara Beye, show how heritage as performance can unbury women's heroism and represent it anew to promote gender equality and women's social and economic empowerment. Artfully reperforming such a shocking event awakens strong emotions in participants and in particular helps mobilize resources for the town where the fatal encounter occurred. In evocative commemorations, Senegalese women draw from historical realities to assert their agency through cultural performance and heritage making in the present.","PeriodicalId":39703,"journal":{"name":"Africa Today","volume":"68 1","pages":"25 - 42"},"PeriodicalIF":0.0000,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Heritage of Ndeer: Performing Martyrdom as a Form of Women's Resistance and Self-Empowerment in Senegal\",\"authors\":\"C. Lo\",\"doi\":\"10.2979/africatoday.68.3.02\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:In the former Wolof kingdom of Waalo, Senegal, in 1820, women of the town of Ndeer burned themselves to death in defiant resistance against a coalition of Futa Muslim clerics and marauding Moors. This article looks beyond the historicity of that event and examines the process by which its commemorations, through the lens of heritage, empower modern Waalo and Senegalese women in a prelude to International Women's Day. Observation, distance ethnography, and a textual analysis of Nder en Flammes, a play by Alioune Badara Beye, show how heritage as performance can unbury women's heroism and represent it anew to promote gender equality and women's social and economic empowerment. Artfully reperforming such a shocking event awakens strong emotions in participants and in particular helps mobilize resources for the town where the fatal encounter occurred. In evocative commemorations, Senegalese women draw from historical realities to assert their agency through cultural performance and heritage making in the present.\",\"PeriodicalId\":39703,\"journal\":{\"name\":\"Africa Today\",\"volume\":\"68 1\",\"pages\":\"25 - 42\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-02-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Africa Today\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2979/africatoday.68.3.02\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Africa Today","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2979/africatoday.68.3.02","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
摘要:1820年,在塞内加尔瓦洛的前沃洛夫王国,恩迪尔镇的妇女在反抗富塔穆斯林神职人员和抢劫摩尔人联盟的反抗中自焚身亡。这篇文章超越了这一事件的历史性,从遗产的角度审视了纪念活动赋予现代瓦洛和塞内加尔妇女权力的过程,以此作为国际妇女节的前奏。Alioune Badara Beye的戏剧《Nder en Flammes》的观察、远程民族志和文本分析表明,作为表演的遗产可以卸下女性的英雄主义,并重新表现出来,以促进性别平等和妇女的社会和经济赋权。巧妙地再现这样一个令人震惊的事件唤醒了参与者的强烈情绪,尤其有助于为发生致命遭遇的小镇调动资源。在令人回味的纪念活动中,塞内加尔妇女从历史现实中汲取灵感,通过当前的文化表演和遗产制作来维护自己的权威。
Heritage of Ndeer: Performing Martyrdom as a Form of Women's Resistance and Self-Empowerment in Senegal
Abstract:In the former Wolof kingdom of Waalo, Senegal, in 1820, women of the town of Ndeer burned themselves to death in defiant resistance against a coalition of Futa Muslim clerics and marauding Moors. This article looks beyond the historicity of that event and examines the process by which its commemorations, through the lens of heritage, empower modern Waalo and Senegalese women in a prelude to International Women's Day. Observation, distance ethnography, and a textual analysis of Nder en Flammes, a play by Alioune Badara Beye, show how heritage as performance can unbury women's heroism and represent it anew to promote gender equality and women's social and economic empowerment. Artfully reperforming such a shocking event awakens strong emotions in participants and in particular helps mobilize resources for the town where the fatal encounter occurred. In evocative commemorations, Senegalese women draw from historical realities to assert their agency through cultural performance and heritage making in the present.
Africa TodaySocial Sciences-Sociology and Political Science
CiteScore
1.20
自引率
0.00%
发文量
0
期刊介绍:
Africa Today, a leading journal for more than 50 years, has been in the forefront of publishing Africanist reform-minded research, and provides access to the best scholarly work from around the world on a full range of political, economic, and social issues. Active electronic and combined electronic/print subscriptions to this journal include access to the online backrun.