批评毛里求斯的全球服装连锁店

IF 0.2 4区 文学 0 LITERATURE
Heidi Brevik-Zender
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引用次数: 0

摘要

在《洛尔萨玛的生活》(Les vies de洛尔萨玛,2020年出版)中,毛里求斯小说家克里斯汀·杜弗格尔(Christine duverg)记录了她的名义主人公看似理想的生活的瓦解,同时将对全球时尚产业和特朗普时代美国中心地带保守主义的双重批评编织在一起。本文着重于小说对社会政治的批判,这种批判表现在昂贵的时装和美国海外服装业的虐待劳工行为上。这本小说被杜弗格尔描述为“颠覆性的童话”,它揭示了一个资本主义贪婪的跨国网络,它为全球服装链提供动力,毛里求斯在历史上一直是一个至关重要的环节,如果被剥削的话。杜弗格尔将毛里求斯服装工人的贫困和身体痛苦人性化,突出了当今全球服装行业的不平衡和相互依赖的特征。作为一个跨越南北边界的叙事,将主人公对祖国的记忆融入到她在美国的生活经历中,《洛尔萨梅纳的生活》是当代印度洋法语文学的及时补充,正如弗朗帕拉索瓦·莱昂内和伊曼纽尔·布鲁诺·让·弗朗帕拉索所言,“创作出具有全球抱负的本土作品”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Critiquing the Global Clothing Chain in Mauritius
In The Lives of Loréna (Les vies de Loréna, 2020), the Mauritian novelist Christine Duvergé chronicles the unraveling of her titular protagonist’s seemingly ideal existence while weaving together a double critique of the global fashion industry and Trump-era conservatism in the American heartland. This article focuses on the novel’s sociopolitical critiques, which find expression in expensive fashions and the abusive labor practices of the American overseas apparel industry. Described by Duvergé as a “subversive fairytale,” the novel illuminates a transnational network of capitalist greed, which powers the global clothing chain in which Mauritius has served historically as a vital, if exploited, link. Duvergé humanizes the poverty and physical suffering of garment workers in Mauritius, foregrounding imbalances and interdependencies characterizing today’s global apparel industry. As a North-South border-crossing narrative that integrates the protagonist’s memories of her homeland into how she experiences life in the United States, The Lives of Loréna is a timely addition to contemporary Indian Ocean French-language literature, which is, as Françoise Lionnet and Emmanuel Bruno Jean-François have stated, “producing locally grounded writing with global ambitions.”
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
13
期刊介绍: A respected forum since 1962 for peer-reviewed work in English literary studies, English Language Notes - ELN - has undergone an extensive makeover as a semiannual journal devoted exclusively to special topics in all fields of literary and cultural studies. ELN is dedicated to interdisciplinary and collaborative work among literary scholarship and fields as disparate as theology, fine arts, history, geography, philosophy, and science. The new journal provides a unique forum for cutting-edge debate and exchange among university-affiliated and independent scholars, artists of all kinds, and academic as well as cultural institutions. As our diverse group of contributors demonstrates, ELN reaches across national and international boundaries.
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