全球范围内的殖民主义:重塑19世纪的展览形象

Q4 Arts and Humanities
Bart Pushaw
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引用次数: 0

摘要

这项研究通过将爱沙尼亚的约翰·克勒(1826-1899)和秘鲁的路易斯·蒙特罗(1826-1869)这两位历史画家置于对话中,倡导在全球19世纪书写更多跨文化和地理的横向艺术史的必要性。尽管土著演员在当地殖民征服史中的作用对两位艺术家来说都很重要,但19世纪艺术史上持久的欧洲中心主义限制了我们理解这一时期殖民主义的可公度。这项研究为超越这些历史局限性提供了一个实验路线图,将19世纪确立为东欧和拉丁美洲之间文化对应的重要时期。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Coloniality at Global Scales: Reframing the Nineteenth-Century Exhibition Image
This study advocates for the necessity of writing more lateral art histories across cultures and geographies in the global 19th century by placing two history painters, the Estonian Johann Köler (1826–1899) and the Peruvian Luis Montero (1826–1869), into conversation. Although the role of indigenous actors within local histories of colonial conquest loomed large for both artists, the enduring Eurocentrism of 19th-century art history has limited how we might understand the commensurability of coloniality in the period. This study serves as an experimental roadmap for transcending these historiographical limitations, establishing the 19th century as a significant period of cultural correspondence between Eastern Europe and Latin America.
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来源期刊
Acta Academiae Artium Vilnensis
Acta Academiae Artium Vilnensis Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.10
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10
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