亚图像表面:画在石头上的圣安东尼的两个诱惑

IF 0.4 1区 艺术学 0 ART
Steffen Zierholz
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引用次数: 0

摘要

正在检查的是石头上的两个圣安东尼的诱惑:一个是雅各布·范·斯旺伯格在废墟大理石上画的,另一个是一位不知名的佛兰德艺术家在东方雪花石膏上画的。我探索了图像表面的光学特性、表征的本体论,以及石头支撑对视觉感知的影响。绘画独特的表面质量被认为是与绘画主题密切相关的亚微观元素。我认为,使用石头作为支撑在很大程度上是出于绘画主题和与之相关的宗教实践。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Subiconographic Surface: Two Temptations of Saint Anthony Painted on Stone
Abstract Under examination are two Temptations of Saint Anthony on stone: one painted on ruin marble by Jacob van Swanenburgh, the other on oriental alabaster by an unknown Flemish artist. I explore the optical properties of the pictorial surface, the ontology of representation, and the impact of the stone support on visual perception. The unique surface qualities of the paintings are considered to function as subiconographic elements closely related to the pictorial subject. I argue that the use of stone as support is largely motivated by both the pictorial subject and religious practices related to it.
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来源期刊
CiteScore
0.70
自引率
28.60%
发文量
42
期刊介绍: The Art Bulletin publishes leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions. From its founding in 1913, the journal has published, through rigorous peer review, scholarly articles and critical reviews of the highest quality in all areas and periods of the history of art. Articles take a variety of methodological approaches, from the historical to the theoretical. In its mission as a journal of record, The Art Bulletin fosters an intensive engagement with intellectual developments and debates in contemporary art-historical practice. It is published four times a year in March, June, September, and December
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