音乐、文学和建筑中的宗教崇高:对话

IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS
REVUE ROMANE Pub Date : 2019-10-09 DOI:10.1075/RRO.16010.CIF
Claudio Cifuentes-Aldunate
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引用次数: 0

摘要

本文试图提出产生“宗教崇高”的符号学层面。然而,我们用来表示(和产生)宗教崇高的能指的大多数符号学特征,与其他形式的“崇高”共享它们的机制。崇高将被视为一种感知的表现(在舞台的意义上)。我将提出主观感知——在这个例子中是关于神性的——是如何被主体(重新)构建的在西班牙哥特文学作品中,在神圣的音乐和建筑中,在容纳对神性主观感知的房间中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Religious-Sublime in Music, Literature and Architecture: A Dialogue
Abstract The present article is an attempt to propose the semiotic aspect that produces the ”religious- sublime”. Most of the semiotic characteristics that we use to represent (and produce) the signifiers of the religious-sublime, nevertheless, share their mechanisms with other modalities of ”sublimeness”. The sublime will be regarded as the representation (in the sense of staging) of a perception. I will propose how the subjective perception – in this case of the divinity – is (re)constructed by the subject in a piece of Spanish Gothic literature, in sacred music and in architecture – the room which houses the subjective perception of divinity.
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REVUE ROMANE
REVUE ROMANE Multiple-
CiteScore
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