{"title":"糟糕的未来,糟糕的历史","authors":"Lauren J. Hegarty","doi":"10.1080/15240657.2022.2037316","DOIUrl":null,"url":null,"abstract":"ABSTRACT This essay deploys theories from Jean Laplanche regarding the fundamental anthropological situation and the notion of afterwardsness, or après coup, to explore the 1978 film Germany in Autumn. Through these conceptual filters, the article examines the fictional representations within the film, the actual persons behind the making of the film, and their relationship to German remembering and forgetting of the events of the Nazi regime.","PeriodicalId":39339,"journal":{"name":"Studies in Gender and Sexuality","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Bad Future, Bad History\",\"authors\":\"Lauren J. Hegarty\",\"doi\":\"10.1080/15240657.2022.2037316\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This essay deploys theories from Jean Laplanche regarding the fundamental anthropological situation and the notion of afterwardsness, or après coup, to explore the 1978 film Germany in Autumn. Through these conceptual filters, the article examines the fictional representations within the film, the actual persons behind the making of the film, and their relationship to German remembering and forgetting of the events of the Nazi regime.\",\"PeriodicalId\":39339,\"journal\":{\"name\":\"Studies in Gender and Sexuality\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in Gender and Sexuality\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/15240657.2022.2037316\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Social Sciences\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Gender and Sexuality","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/15240657.2022.2037316","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Social Sciences","Score":null,"Total":0}
ABSTRACT This essay deploys theories from Jean Laplanche regarding the fundamental anthropological situation and the notion of afterwardsness, or après coup, to explore the 1978 film Germany in Autumn. Through these conceptual filters, the article examines the fictional representations within the film, the actual persons behind the making of the film, and their relationship to German remembering and forgetting of the events of the Nazi regime.
期刊介绍:
Beginning in the final two decades of the 20th century, the study of gender and sexuality has been revived from a variety of directions: the traditions of feminist scholarship, postclassical and postmodern psychoanalytic theory, developmental research, and cultural studies have all contributed to renewed fascination with those powerfully formative aspects of subjectivity that fall within the rubric of "gender" and "sexuality." Clinicians, for their part, have returned to gender and sexuality with heightened sensitivity to the role of these constructs in the treatment situation, including the richly variegated ways in which assumptions about gender and sexuality enter into our understandings of "normality" and "pathology."