存在与权力

G. Pattison
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引用次数: 0

摘要

通过对当前乌克兰战争中图标的使用,本文在波罗底诺战役前夕俄罗斯军队对斯摩棱斯克圣母像的崇敬中找到了一个方向,正如托尔斯泰所描绘的那样。这是不是把图标变成了战旗?在历史冲突中使用图标与使用遗迹作为展示圣人力量的手段类似。彼得·布朗表明,对遗迹的崇拜与圣徒埋葬地点和尸体的神圣化密切相关,通过肢解圣徒的尸体和使用与之相关的实物实现了民主化,这一过程图标走得更远,使圣徒出现在每个教堂和家庭中。正如我们在托尔斯泰的库图佐夫跪在斯摩棱斯克圣母像前的形象中所看到的那样,这个图标将圣人展示为天堂和世俗,让人想起了人类自身的有限性和死亡。这种对图标的理解表达了人类在面对最后的事物时的个人和集体无能,为防止将图标滥用为战旗或将其工具化为政治统治和操纵的手段提供了辩护
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Presence and Power
Contextualized by the use of icons during the current war in Ukraine, the paper finds a point of orientation in the veneration of the icon of Our Lady of Smolensk by the Russian army on the eve of the Battle ofBorodino, as portrayed by Tolstoy. Is this turning the icon into a battle-­flag? The use of icons in historic conflicts parallels the use of relics as a means of making present the power of the saint. Peter Brown shows that the cult of relics was closely associated with the sacralization of the burial site and dead body of the saint, democratized through the dismemberment of the saints' bodies and the use of physical items associated with them, a process that icons take still further, making the saint present in every church and household. Showing the saint as both heavenly and earthly, the icon recalls human beings to their own finitude and mortality, as we see in Tolstoy's image of Kutuzov kneeling before the icon of Our Lady of Smolensk. As expressive of human beings' individual and collective incapacity in the face of the last things, this understanding of icons provides a defence against the misuse of the icon as a battle-flag or its instrumentalization as a means of political domination and manipulation
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来源期刊
Svensk Teologisk Kvartalskrift
Svensk Teologisk Kvartalskrift Arts and Humanities-Religious Studies
CiteScore
0.30
自引率
0.00%
发文量
28
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