艺术家、广告商、公众：大西部铁路海报的协同设计

Q2 Arts and Humanities

Visual Culture in Britain Pub Date : 2020-09-01 DOI:10.1080/14714787.2020.1852886

R. Savage

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引用次数: 1

摘要

1923年至1939年间，大西部铁路(GWR)公司制作了一百多张平版海报，宣传其对西部国家的服务。尽管这些海报在当时很受欢迎，但还是受到了海报艺术学者的批评，他们认为与现代主义海报设计相比，这些海报已经过时了。本文旨在通过识别参与GWR海报制作的复杂代理网络，并通过检查由此产生的海报旨在颂扬的美学，社会和经济价值，来重新考虑这种解雇。

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The Artist, the Advertiser, the Public: The Great Western Railway Poster as Collaborative Design

Between 1923 and 1939 the Great Western Railway (GWR) company produced over a hundred lithographic posters which advertised its services to the West Country. Despite their popularity during the period, these posters have been criticized by poster art scholars who consider them old-fashioned in comparison with modernist poster designs. This article aims to reconsider this dismissal by identifying the complex network of agents involved in GWR poster production and by examining the aesthetic, social and economic values the resulting posters were intended to extol.

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来源期刊

Visual Culture in Britain Arts and Humanities-Visual Arts and Performing Arts

CiteScore

0.60

自引率

0.00%

发文量