{"title":"切割图形。论托马斯·伯恩哈德《阿姆拉斯》中菲律宾韦尔瑟的奥格斯堡刀雕像","authors":"R. Engert","doi":"10.54103/1593-2508/18015","DOIUrl":null,"url":null,"abstract":"Focusing on the example of the so-called “Augsburger Messer” in Thomas Bernhard’s Amras, the paper explores the possibility of overcoming the barriers to a hermeneutical reading of Bernhard’s texts through the exploitation of literary things. By comprising both its material and its symbolic dimension the micro analysis of the “Augsburger Messer” suggests coupling the eclectic potential of things in literary texts with Bernhard’s additive and associative style. Eventually, this approach not only opens up a new perspective on Amras as one of Bernhard’s most remarkable texts, but also presents his writing as one that is deeply permeated with the traumatic structures of violence and (Austrian) history.","PeriodicalId":55900,"journal":{"name":"Studia Austriaca","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2022-06-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Einschneidende Figurationen. Zur Dingfigur des Augsburger Messers der Philippine Welser in Thomas Bernhards «Amras»\",\"authors\":\"R. Engert\",\"doi\":\"10.54103/1593-2508/18015\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Focusing on the example of the so-called “Augsburger Messer” in Thomas Bernhard’s Amras, the paper explores the possibility of overcoming the barriers to a hermeneutical reading of Bernhard’s texts through the exploitation of literary things. By comprising both its material and its symbolic dimension the micro analysis of the “Augsburger Messer” suggests coupling the eclectic potential of things in literary texts with Bernhard’s additive and associative style. Eventually, this approach not only opens up a new perspective on Amras as one of Bernhard’s most remarkable texts, but also presents his writing as one that is deeply permeated with the traumatic structures of violence and (Austrian) history.\",\"PeriodicalId\":55900,\"journal\":{\"name\":\"Studia Austriaca\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-06-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studia Austriaca\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.54103/1593-2508/18015\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studia Austriaca","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.54103/1593-2508/18015","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Einschneidende Figurationen. Zur Dingfigur des Augsburger Messers der Philippine Welser in Thomas Bernhards «Amras»
Focusing on the example of the so-called “Augsburger Messer” in Thomas Bernhard’s Amras, the paper explores the possibility of overcoming the barriers to a hermeneutical reading of Bernhard’s texts through the exploitation of literary things. By comprising both its material and its symbolic dimension the micro analysis of the “Augsburger Messer” suggests coupling the eclectic potential of things in literary texts with Bernhard’s additive and associative style. Eventually, this approach not only opens up a new perspective on Amras as one of Bernhard’s most remarkable texts, but also presents his writing as one that is deeply permeated with the traumatic structures of violence and (Austrian) history.
期刊介绍:
“Studia austriaca” (e-ISSN 2385-2925) is an international journal devoted to the study of Austrian culture and literature. It is published annually, in the spring, as an online, open access, peer-reviewed journal hosted by Università degli Studi di Milano under OJS (Open Journal Systems). The international character of the journal is emphasized by the breadth of its Editorial Board and by the commitment to publish essays not only in German and Italian, but also in English and other European languages.