做出改变:乔治·“波普斯”·福斯特和埃德·“蒙图迪”·加兰德低音线的反旋律

Q3 Arts and Humanities

Jazz Perspectives Pub Date : 2018-09-02 DOI:10.1080/17494060.2019.1679858

Vic Hobson

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引用次数: 0

摘要

本文探讨了新奥尔良早期的两位贝斯手乔治·“波普斯”·福斯特和埃德·“蒙图迪”·加兰是如何运用反旋律来构建贝斯线的，以及他们构建贝斯线的原则是如何根植于理发店和声中的。他们的音符选择与蓝调和“与你走近一步”有关。

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Making the Changes: Countermelodies in the Basslines of George “Pops” Foster and Ed “Montudi” Garland

ABSTRACT This article explores how two early New Orleans bass players, George “Pops” Foster and Ed “Montudi” Garland, used countermelodies to construct their basslines, and how the principles they used to construct their lines were rooted in the voice leading of barbershop harmony. Their note choices are explored in relation to the blues and “Just a Closer Walk with Thee.”

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来源期刊

Jazz Perspectives Arts and Humanities-Music

CiteScore

0.60

自引率

0.00%

发文量