{"title":"荷兰国立博物馆入口大厅的彩色玻璃窗:一段彩色的国家艺术史","authors":"Julia Van Leeuwen","doi":"10.52476/trb.11721","DOIUrl":null,"url":null,"abstract":"Little attention has thus far been paid to the creation of the stained-glass windows in the Rijksmuseum’s Entrance Hall. However, a study of the pictorial programme for the windows reveals some remarkable choices. Driven by the ambition to present a broader overview of Dutch culture than had been disseminated until that time, the Catholic trio of Pierre Cuypers, Victor de Stuers and Joseph Alberdingk Thijm designed an iconographic programme for the stained-glass windows in the Entrance Hall. The programme for the stained-glass windows gives an overview of the major representatives of Dutch art history. Striking among them are two artists from the Northern Netherlands – Willem van Heerle and Jan van Terwen – who played almost no role in the Dutch art-historical canon at that time. The fact that these relatively unknown artists feature in the pictorial programme for the windows clearly indicates that the emphasis lies on the Roman Catholic Middle Ages and shows that it is a coloured version of Dutch art history.","PeriodicalId":40677,"journal":{"name":"Rijksmuseum Bulletin","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2022-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Stained-Glass Windows in the Entrance Hall of the Rijksmuseum: A Coloured National Art History\",\"authors\":\"Julia Van Leeuwen\",\"doi\":\"10.52476/trb.11721\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Little attention has thus far been paid to the creation of the stained-glass windows in the Rijksmuseum’s Entrance Hall. However, a study of the pictorial programme for the windows reveals some remarkable choices. Driven by the ambition to present a broader overview of Dutch culture than had been disseminated until that time, the Catholic trio of Pierre Cuypers, Victor de Stuers and Joseph Alberdingk Thijm designed an iconographic programme for the stained-glass windows in the Entrance Hall. The programme for the stained-glass windows gives an overview of the major representatives of Dutch art history. Striking among them are two artists from the Northern Netherlands – Willem van Heerle and Jan van Terwen – who played almost no role in the Dutch art-historical canon at that time. The fact that these relatively unknown artists feature in the pictorial programme for the windows clearly indicates that the emphasis lies on the Roman Catholic Middle Ages and shows that it is a coloured version of Dutch art history.\",\"PeriodicalId\":40677,\"journal\":{\"name\":\"Rijksmuseum Bulletin\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-03-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Rijksmuseum Bulletin\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.52476/trb.11721\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Rijksmuseum Bulletin","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.52476/trb.11721","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
摘要
迄今为止,很少有人注意到国立博物馆入口大厅的彩色玻璃窗的创作。然而,对窗户的图案设计的研究揭示了一些非凡的选择。为了展示比当时传播的荷兰文化更广泛的概况,天主教徒三人组Pierre Cuypers、Victor de Stuers和Joseph Alberdingk Thijm为入口大厅的彩色玻璃窗设计了一个图像方案。彩色玻璃窗的设计概述了荷兰艺术史上的主要代表人物。其中引人注目的是来自荷兰北部的两位艺术家——威廉·范·希尔勒和扬·范·特文——他们在当时的荷兰艺术史中几乎没有任何作用。这些相对不知名的艺术家出现在窗户的图案中,这一事实清楚地表明,重点在于罗马天主教的中世纪,并表明这是荷兰艺术史的彩色版本。
The Stained-Glass Windows in the Entrance Hall of the Rijksmuseum: A Coloured National Art History
Little attention has thus far been paid to the creation of the stained-glass windows in the Rijksmuseum’s Entrance Hall. However, a study of the pictorial programme for the windows reveals some remarkable choices. Driven by the ambition to present a broader overview of Dutch culture than had been disseminated until that time, the Catholic trio of Pierre Cuypers, Victor de Stuers and Joseph Alberdingk Thijm designed an iconographic programme for the stained-glass windows in the Entrance Hall. The programme for the stained-glass windows gives an overview of the major representatives of Dutch art history. Striking among them are two artists from the Northern Netherlands – Willem van Heerle and Jan van Terwen – who played almost no role in the Dutch art-historical canon at that time. The fact that these relatively unknown artists feature in the pictorial programme for the windows clearly indicates that the emphasis lies on the Roman Catholic Middle Ages and shows that it is a coloured version of Dutch art history.