19世纪,20世纪和21世纪对莫尼达宫的干预。项目及其架构师

IF 0.3 0 ARCHITECTURE
Gunther Suhrcke-Caballero, Katherine Gondeck-Cepeda
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引用次数: 0

摘要

拉莫内达宫是智利总统和行政权力机构、内政和公共安全部、总统总秘书处和政府总秘书处的所在地。就其目前的代表性功能而言,它是智利主要的历史和最重要的建筑之一,作为政府宫殿。自1786年建成以来,它一直是国家历史政治和社会城市演变的见证者和明星,这些事件在其自身的建筑变形和城市结构的演变中得到了表达。该宫殿由建筑师Joaquín Toesca设计,他是西班牙国王卡洛斯三世(1759-1788)宫廷的专业人士弗朗西斯科·萨巴蒂尼的弟子,是智利新古典主义的主要代表。1805年,圣地亚哥皇家造币厂成立,铸造王国的货币。1845年智利独立后,政府所在地和总统官邸迁入该建筑。正是在这一天,它采用了它的代表性功能,因此,它的平面图发生了第一次重要的修改,开始了一个持续演变的过程,其特征是动态转变和建筑的永久适应,通过连续的干预,功能更新和1973年空袭后的重建。由于缺乏对其永久性变化的有组织和详细的记录,因此很难从其当前状态和未来可能的干预措施中了解它们。因此,这篇文章呈现了建筑感知上最重要和最显著的变化,从而成为La Moneda Palace当代干预的第一个有组织的记录。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Las intervenciones en el Palacio de La Moneda de los siglos XIX, XX y XXI. Los proyectos y sus arquitectos
The Palacio de La Moneda, or La Moneda Palace, is the seat of the Presidency and the Executive Power of Chile, the Ministry of the Interior and Public Security, the General Secretariat of the Presidency, and the General Secretariat of the Government. It is one of the main historical and most important buildings in Chile in terms of its current representative function, as the Government Palace. Since its construction, in 1786, it has been the witness and star of the historical-political and social-urban evolution of the nation, of events that have been expressed in its own architectural metamorphosis and the evolution of the urban fabric. Designed by architect Joaquín Toesca, a disciple of Francesco Sabatini, a professional of the court of Carlos III, King of Spain (1759-1788), the Palace is the main example of Neoclassicism in Chile. It was inaugurated in 1805 as the Royal Mint of Santiago, to mint the kingdom's currency. After the independence of Chile, in 1845, the Seat of Government and Presidential Residence moved to the building. It is on this date that it adopts its representative function, and therefore, the moment where the first important modification of its floorplan took place, beginning a process of continuous evolution characterized by the dynamic transformation and permanent adaptation of its architecture, through successive interventions, functional updates, and its reconstruction after the 1973 air raid. The lack of an organized and detailed record of its permanent alterations makes it difficult to understand them from their current state and for possible future interventions. As a result, this article presents the most important and significant changes on the perception of the building, thus becoming the first organized record of contemporary interventions of La Moneda Palace.
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来源期刊
Arquitecturas del Sur
Arquitecturas del Sur ARCHITECTURE-
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