{"title":"伦理美学范式中的疯狂框架与分期——维托尔德·贡布罗维奇的《歌剧》如何表达尼古拉斯·菲利伯特的《选择》","authors":"Benjamin Bandosz","doi":"10.3366/dlgs.2021.0448","DOIUrl":null,"url":null,"abstract":"Nicolas Philibert's 1997 documentary, La moindre des choses, depicts the daily lives of residents and staff at the private psychiatric clinic La Borde, and their production of Witold Gombrowicz's play Operetka. This paper will analyse the aesthetic and ethical implications of La Borde's production of Gombrowicz's play by mapping the documentary, text and production's collective expressions. The film's capacities to reconfigure audience subjectivities through a filmic and intensive entanglement will be explored at length by framing the documentary's cinematography in Félix Guattari's theories of the ethico-aesthetic paradigm and minor cinema.","PeriodicalId":40907,"journal":{"name":"Deleuze and Guattari Studies","volume":" ","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2021-08-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Framing and Staging Madness in the Ethico-aesthetic Paradigm: How Witold Gombrowicz's Operetka Expresses Nicolas Philibert's La moindre des choses\",\"authors\":\"Benjamin Bandosz\",\"doi\":\"10.3366/dlgs.2021.0448\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Nicolas Philibert's 1997 documentary, La moindre des choses, depicts the daily lives of residents and staff at the private psychiatric clinic La Borde, and their production of Witold Gombrowicz's play Operetka. This paper will analyse the aesthetic and ethical implications of La Borde's production of Gombrowicz's play by mapping the documentary, text and production's collective expressions. The film's capacities to reconfigure audience subjectivities through a filmic and intensive entanglement will be explored at length by framing the documentary's cinematography in Félix Guattari's theories of the ethico-aesthetic paradigm and minor cinema.\",\"PeriodicalId\":40907,\"journal\":{\"name\":\"Deleuze and Guattari Studies\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-08-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Deleuze and Guattari Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/dlgs.2021.0448\",\"RegionNum\":4,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"PHILOSOPHY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Deleuze and Guattari Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/dlgs.2021.0448","RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
引用次数: 1
摘要
Nicolas Philibert 1997年的纪录片《选择》(La moindre des choses)描述了私人精神病诊所La Borde的居民和工作人员的日常生活,以及他们制作的Witold Gombrowicz的戏剧《Operetka》。本文将通过对纪录片、文本和作品集体表达的映射,分析拉博德对贡布罗维奇戏剧创作的美学和伦理意蕴。这部电影通过电影化和密集的纠缠来重新配置观众主体性的能力,将通过将纪录片的摄影融入费利克斯·瓜塔里的伦理美学范式和小电影理论中来进行深入探讨。
Framing and Staging Madness in the Ethico-aesthetic Paradigm: How Witold Gombrowicz's Operetka Expresses Nicolas Philibert's La moindre des choses
Nicolas Philibert's 1997 documentary, La moindre des choses, depicts the daily lives of residents and staff at the private psychiatric clinic La Borde, and their production of Witold Gombrowicz's play Operetka. This paper will analyse the aesthetic and ethical implications of La Borde's production of Gombrowicz's play by mapping the documentary, text and production's collective expressions. The film's capacities to reconfigure audience subjectivities through a filmic and intensive entanglement will be explored at length by framing the documentary's cinematography in Félix Guattari's theories of the ethico-aesthetic paradigm and minor cinema.