从钦佩到谴责:捷克对朱尔斯·罗曼的接待

Q3 Arts and Humanities
Jiří Smrčka
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引用次数: 0

摘要

本文论述了20世纪捷克文学与“一致主义”的主要代表人物、法国作家罗曼斯之间关系的转变。在第一次世界大战之前和之后的一段时间里,新一代作家对他几乎是无限的崇拜。在两次世界大战之间的时期,他在意识形态上与卡雷尔Čapek这一代保持一致,并在捷克文化环境中被公开介绍为当代法国写作的主要代表。1938年秋,作为和平主义思想的支持者,他捍卫了《慕尼黑协定》的原则,这是一个转折点。罗曼斯原本被视为捷克人的朋友,却成了法国背叛的象征。1948年后,罗曼斯的后慕尼黑立场被置于一致论前提的背景下,从马克思主义文学研究方法的角度来看,一致论似乎在意识形态上是错误的,因为它忽视了社会动态中阶级方面的作用。于是罗曼斯成了人们关注的焦点,几乎被人遗忘。他的主要小说《善意的男人》只有三分之一被翻译成捷克语。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Od obdivu k zatracení: česká recepce Julese Romainse
The article discusses the transformation of the relationship of Czech literature to the French writer Jules Romains, the chief representative of Unanimism, during the 20 th century. In the period before and just after WWI, the emerging generation of authors received him with almost boundless admiration. In the interwar period, he was ideologically aligned with Karel Čapek’s generation and was publicly presented in the Czech cultural environment as the leading representative of contemporary French writing. A turning point came in the autumn of 1938, when, as a proponent of the idea of pacifism, he defended the principles of the Munich Agreement. Romains, originally seen as a friend of the Czechs, became a symbol of the French betrayal. After 1948, Romains’s post-Munich positions were placed in the context of the premises of Unanimism, which, in the perspective of the Marx-ist approach to literature, appeared to be ideologically mistaken because it neglected the agency of class aspects in the dynamics of society. Romains thus fell into the periphery of interest and into near oblivion. Only one-third of his major novel cycle Men of Good Will remains tanslated into Czech.
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来源期刊
Svet Literatury
Svet Literatury Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
自引率
0.00%
发文量
26
审稿时长
30 weeks
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