透视设计节,澳大利亚建筑历史、城市和文化遗产中心工作坊,墨尔本大学和RMIT设计档案馆

IF 0.2 0 ARCHITECTURE
Michaela Prunotto
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引用次数: 0

摘要

Zoom时代精神中的Edquist颂来自澳大利亚各地的二十位学者聚集在一起,不仅是为了交流思想,也是为了庆祝主宾的多方面职业生涯:皇家墨尔本理工学院名誉教授Harriet Edquist由Catherine Townsend和Philip Goad召集(澳大利亚建筑史、墨尔本城市和文化),Edquist的同事们也热烈欢迎了这些演讲,其中包括Karen Burns、Peter Raisbeck、Alex Selenitsch、Helen Stuckey和Laurene Vaughan。在Edquist遗产的推动下,研讨会的目标是跨越学科界限,这些界限经常将建筑、设计和展览划分开来。特别令人感兴趣的是交织在一起的历史、多标量镜头和相互知识模式的联系。该活动的研讨会形式使每位贡献学者能够将他们的工作作为一份正在进行的论文进行介绍,然后通过小组对话进行讨论。这种形式符合Edquist长期以来的决心,即在建筑和设计学术界推广一种话语文化,一种意识到并参与其更广泛的受众反馈循环的文化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Looking Inside Design Festschrift, Workshop at the Australian Centre for Architectural History, Urban and Cultural Heritage, University of Melbourne and RMIT Design Archives
Ode to Edquist in a Zoom Zeitgeist twenty scholars from various locations across Australia The scholars gathered not only to exchange ideas but also to celebrate the multifaceted career of the guest of honour: Emeritus Professor Harriet Edquist of RMIT Convened by Catherine Townsend and Philip Goad (Australian Architectural History, Urban and Cultural of Melbourne), those presenting were also received by a lively panel of Edquist’s colleagues, among them Karen Burns, Peter Raisbeck, Alex Selenitsch, Helen Stuckey, and Laurene Vaughan. Driven by Edquist’s legacy, the symposium’s objective was to traverse disciplinary boundaries, which frequently compartmentalise architecture, design, and exhibitions. Of particular interest was the nexus of entwined histories, a multi-scalar lens, and modes of reciprocal knowledge. The event’s workshop format enabled each contributing scholar to present their work as an in-progress paper, which was then discussed via panel dialogue. This format was in the spirit of Edquist’s long-held determination to promote a culture of discourse within architecture and design academic circles, one that is aware of, and engaged with, its broader audience feedback loop.
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来源期刊
CiteScore
0.50
自引率
25.00%
发文量
26
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