碰我/别碰我:安·诺森蒂《夜魔侠》中女性原型的再现

IF 0.5 0 HUMANITIES, MULTIDISCIPLINARY
R. Hagan
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引用次数: 0

摘要

20世纪80年代末,Ann Nocenti成为漫威漫画《夜魔侠》的主笔,是该书的第二位主创女性,也是第一位连续创作重要作品的女性。诺森蒂将与社会正义、暴力和儿童待遇有关的主题纳入叙事。她还以一种新颖而令人耳目一新的方式将聚光灯对准了女配角。在这篇文章中,诺森蒂对女性原型的挑战,如家庭主妇、妖妇和芭比娃娃,反映了第二波女权主义倡导的可变身份观念。这篇文章审视了她对《凯伦·佩奇》、《伤寒玛丽》、《布兰迪·阿什》和《九号人物》的创作,认为尽管这部漫画以男性超级英雄为中心,读者主要是男性,但诺森蒂还是成功地引入了一幅更微妙的女性形象,并先发制人地阻止了该行业目前在宣传女性角色方面出现的一些变化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Touch Me/Don’t Touch Me: Representations of Female Archetypes in Ann Nocenti’s Daredevil
In the late 1980s, Ann Nocenti became the principle writer on the Marvel comic book, Daredevil, the second woman to be lead creator on the book and the first to write a significant run on an ongoing basis. Nocenti integrated themes relating to social justice, violence and the treatment of children into the narrative. She also shone the spotlight on the supporting female cast members in a way that was original and refreshing. In this article, Nocenti’s challenging of feminine archetypes, such as the housewife, the temptress and the Barbie Doll, reflects ideas of mutable identities, promoted by second-wave feminism. Examining her writing of Karen Page, Typhoid Mary, Brandy Ash and Number Nine, this article argues that, despite the comic centring around a male superhero and with a predominantly male readership, Nocenti succeeds in introducing a more nuanced picture of women and pre-empting some of the changes in the promotion of female characters now apparent in the industry.
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来源期刊
Comics Grid-Journal of Comics Scholarship
Comics Grid-Journal of Comics Scholarship HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
0.00%
发文量
4
审稿时长
20 weeks
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