{"title":"“文明的观察”:宋飞与莎士比亚《威尼斯商人》中的犹太人身份与焦虑","authors":"Reto Winckler","doi":"10.7560/tsll65101","DOIUrl":null,"url":null,"abstract":"ABSTRACT:This article argues that a satirically distorted quotation from Shakespeare's The Merchant of Venice, \"If we pick, do we not bleed?,\" in the Seinfeld episode \"The Pick\" reveals a subtext of Jewish anxiety in the sitcom. This anxiety about the limits of mainstream acceptance and the persistence of anti- Semitism in late twentieth- century America revolves around maintaining civility, a notion already evident in The Merchant's portrayal of Jewish and Christian acts, attitudes, and values.","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":"65 1","pages":"1 - 29"},"PeriodicalIF":0.1000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"\\\"Observance of Civility\\\": Jewish Identity and Anxiety in Seinfeld and William Shakespeare's The Merchant of Venice\",\"authors\":\"Reto Winckler\",\"doi\":\"10.7560/tsll65101\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:This article argues that a satirically distorted quotation from Shakespeare's The Merchant of Venice, \\\"If we pick, do we not bleed?,\\\" in the Seinfeld episode \\\"The Pick\\\" reveals a subtext of Jewish anxiety in the sitcom. This anxiety about the limits of mainstream acceptance and the persistence of anti- Semitism in late twentieth- century America revolves around maintaining civility, a notion already evident in The Merchant's portrayal of Jewish and Christian acts, attitudes, and values.\",\"PeriodicalId\":44154,\"journal\":{\"name\":\"TEXAS STUDIES IN LITERATURE AND LANGUAGE\",\"volume\":\"65 1\",\"pages\":\"1 - 29\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"TEXAS STUDIES IN LITERATURE AND LANGUAGE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7560/tsll65101\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7560/tsll65101","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
"Observance of Civility": Jewish Identity and Anxiety in Seinfeld and William Shakespeare's The Merchant of Venice
ABSTRACT:This article argues that a satirically distorted quotation from Shakespeare's The Merchant of Venice, "If we pick, do we not bleed?," in the Seinfeld episode "The Pick" reveals a subtext of Jewish anxiety in the sitcom. This anxiety about the limits of mainstream acceptance and the persistence of anti- Semitism in late twentieth- century America revolves around maintaining civility, a notion already evident in The Merchant's portrayal of Jewish and Christian acts, attitudes, and values.