{"title":"汤姆森高速公路与丹尼尔·蒙杜鲁库:美国的权术主义与文学激进主义","authors":"Rubelise da Cunha","doi":"10.15210/INTERFACES.V19I1.16120","DOIUrl":null,"url":null,"abstract":"This article discusses Indigenous literary activism in the Americas. We address the defense of oral tradition proposed by Gerald Vizenor and Davi Kopenawa to focus on how literary writers Tomson Highway in The (Post) Mistress (2013) and Daniel Munduruku in Chronicles of São Paulo (2004) perform tricksterism as “wordmakers” that create new forms of expression for the empowerment of Indigenous traditions.","PeriodicalId":41070,"journal":{"name":"Interfaces Brasil-Canada","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-05-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Tomson Highway and Daniel Munduruku: Tricksterism and Literary Activism in the Americas\",\"authors\":\"Rubelise da Cunha\",\"doi\":\"10.15210/INTERFACES.V19I1.16120\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article discusses Indigenous literary activism in the Americas. We address the defense of oral tradition proposed by Gerald Vizenor and Davi Kopenawa to focus on how literary writers Tomson Highway in The (Post) Mistress (2013) and Daniel Munduruku in Chronicles of São Paulo (2004) perform tricksterism as “wordmakers” that create new forms of expression for the empowerment of Indigenous traditions.\",\"PeriodicalId\":41070,\"journal\":{\"name\":\"Interfaces Brasil-Canada\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-05-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Interfaces Brasil-Canada\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.15210/INTERFACES.V19I1.16120\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Interfaces Brasil-Canada","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15210/INTERFACES.V19I1.16120","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Tomson Highway and Daniel Munduruku: Tricksterism and Literary Activism in the Americas
This article discusses Indigenous literary activism in the Americas. We address the defense of oral tradition proposed by Gerald Vizenor and Davi Kopenawa to focus on how literary writers Tomson Highway in The (Post) Mistress (2013) and Daniel Munduruku in Chronicles of São Paulo (2004) perform tricksterism as “wordmakers” that create new forms of expression for the empowerment of Indigenous traditions.