音乐中的均匀信息密度

IF 0.6 2区 艺术学 0 MUSIC
D. Temperley
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引用次数: 4

摘要

均匀信息密度理论指出,当信息以适度和均匀的速率呈现时,通信是最优的。对音乐的三个预测如下:(1)低概率事件的持续时间应该比高概率事件更长;(2) 低概率事件应与高概率事件并列;(3) 在一个维度中概率较低的事件在其他维度中应该概率较高。我从音乐实践的三个不同领域提供了支持这三个预测的证据:文艺复兴时期的对位法、表现力表演和常见的实践主题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Uniform Information Density in Music
The theory of Uniform Information Density states that communication is optimal when information is presented at a moderate and uniform rate. Three predictions follow for music: (1) low-probability events should be longer in duration than high-probability events; (2) low-probability events should be juxtaposed with high-probability events; (3) an event that is low in probability in one dimension should be high in probability in other dimensions. I present evidence supporting all three of these predictions from three diverse areas of musical practice: Renaissance counterpoint, expressive performance, and common-practice themes.
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来源期刊
CiteScore
1.70
自引率
25.00%
发文量
26
审稿时长
42 weeks
期刊介绍: Music Theory Online is a journal of criticism, commentary, research and scholarship in music theory, music analysis, and related disciplines. The refereed open-access electronic journal of the Society for Music Theory, MTO has been in continuous publication since 1993. New issues are published four times per year and include articles, reviews, commentaries, and analytical essays. In addition, MTO publishes a list of job opportunities and abstracts of recently completed dissertations.
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