{"title":"诗","authors":"P. Venkateswaran","doi":"10.1080/14746689.2021.1884175","DOIUrl":null,"url":null,"abstract":"ABSTRACT ‘Impact’ conveys the ironies underlying violence–the dialectical tension between love and hate, pleasure and pain. I wrote ‘Skin Deep’ in sonnet form to convey the ugly irony behind the love for whiteness. (The sonnet is a traditional form for love poems!) I wrote ‘Palimpsest’ as a sestina to convey the haunting nature of history, as if entering a cave of echoes, here, the ironies of caste inherent in classical Indian dance.","PeriodicalId":35199,"journal":{"name":"South Asian Popular Culture","volume":"19 1","pages":"93 - 95"},"PeriodicalIF":0.3000,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14746689.2021.1884175","citationCount":"0","resultStr":"{\"title\":\"Poems\",\"authors\":\"P. Venkateswaran\",\"doi\":\"10.1080/14746689.2021.1884175\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT ‘Impact’ conveys the ironies underlying violence–the dialectical tension between love and hate, pleasure and pain. I wrote ‘Skin Deep’ in sonnet form to convey the ugly irony behind the love for whiteness. (The sonnet is a traditional form for love poems!) I wrote ‘Palimpsest’ as a sestina to convey the haunting nature of history, as if entering a cave of echoes, here, the ironies of caste inherent in classical Indian dance.\",\"PeriodicalId\":35199,\"journal\":{\"name\":\"South Asian Popular Culture\",\"volume\":\"19 1\",\"pages\":\"93 - 95\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/14746689.2021.1884175\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"South Asian Popular Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14746689.2021.1884175\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ASIAN STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"South Asian Popular Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14746689.2021.1884175","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
ABSTRACT ‘Impact’ conveys the ironies underlying violence–the dialectical tension between love and hate, pleasure and pain. I wrote ‘Skin Deep’ in sonnet form to convey the ugly irony behind the love for whiteness. (The sonnet is a traditional form for love poems!) I wrote ‘Palimpsest’ as a sestina to convey the haunting nature of history, as if entering a cave of echoes, here, the ironies of caste inherent in classical Indian dance.