{"title":"莎士比亚的植物学想象","authors":"Jennifer Munroe","doi":"10.1080/17450918.2023.2195836","DOIUrl":null,"url":null,"abstract":"The latest in a growing number of collections that positions Shakespeare’s oeuvre in the context of ‘green studies’, Shakespeare’s Botanical Imagination, edited by Susan C. Staub, is an important contribution to the field. This collection is the first of its kind organised entirely around plants, and as such considers Shakespeare’s works alongside a subject too-often relegated, as Staub persuasively argues in the Introduction, to mere background material. These essays consider, as Staub writes, expansive botanical territory to","PeriodicalId":42802,"journal":{"name":"Shakespeare","volume":"19 1","pages":"246 - 247"},"PeriodicalIF":0.4000,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Shakespeare’s Botanical Imagination\",\"authors\":\"Jennifer Munroe\",\"doi\":\"10.1080/17450918.2023.2195836\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The latest in a growing number of collections that positions Shakespeare’s oeuvre in the context of ‘green studies’, Shakespeare’s Botanical Imagination, edited by Susan C. Staub, is an important contribution to the field. This collection is the first of its kind organised entirely around plants, and as such considers Shakespeare’s works alongside a subject too-often relegated, as Staub persuasively argues in the Introduction, to mere background material. These essays consider, as Staub writes, expansive botanical territory to\",\"PeriodicalId\":42802,\"journal\":{\"name\":\"Shakespeare\",\"volume\":\"19 1\",\"pages\":\"246 - 247\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-04-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Shakespeare\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17450918.2023.2195836\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, BRITISH ISLES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Shakespeare","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17450918.2023.2195836","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, BRITISH ISLES","Score":null,"Total":0}
The latest in a growing number of collections that positions Shakespeare’s oeuvre in the context of ‘green studies’, Shakespeare’s Botanical Imagination, edited by Susan C. Staub, is an important contribution to the field. This collection is the first of its kind organised entirely around plants, and as such considers Shakespeare’s works alongside a subject too-often relegated, as Staub persuasively argues in the Introduction, to mere background material. These essays consider, as Staub writes, expansive botanical territory to
期刊介绍:
Shakespeare is a major peer-reviewed journal, publishing articles drawn from the best of current international scholarship on the most recent developments in Shakespearean criticism. Its principal aim is to bridge the gap between the disciplines of Shakespeare in Performance Studies and Shakespeare in English Literature and Language. The journal builds on the existing aim of the British Shakespeare Association, to exploit the synergies between academics and performers of Shakespeare.