Guattari with Duchamp,或者Duchamp from One Sign to Other

IF 0.3 4区 哲学 0 PHILOSOPHY
É. Alliez
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引用次数: 0

摘要

把瓜塔里与杜尚的交往,也就是《精神分裂分析的地图学》和《混沌学》中那些罕见的篇章,作为探究的焦点,相遇的问题是在符号的领域中提出的,但是是一个被“破坏”的符号(如杜尚du signe),在这个意义上,瓜塔里也是从解构拉康开始的(从精神分析和横断面到反俄狄普斯)。通过Guattari和福柯之间的关系,在Guattari早期和晚期之间更好地发挥作用,Guattari对现成的瓶架作为一种存在主义功能的关键见解被批判性地讨论,从重新开放到通过“杜尚效应”的阐明。如果后者似乎赋予了与瓜塔里自己的符号学相反的语言特权,那么它就是将其作为一种机器无意识而脱轨。杜尚关于他的成品和其他阴谋的著作被分析,雷蒙德·鲁塞尔对杜尚的作用(以及德勒兹-瓜塔里对福柯的作用),以及一个跨杜尚的含义,他的另一个自我罗斯·萨姆拉维,作为一种机器替代的开放,消除和古怪的性别二元性和生殖器中心性,恢复单身汉机器的独特性及其主体化的破裂。这篇文章展示了它如何横向地回到瓜达里轨迹的中间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Guattari with Duchamp, or Du champ from One Sign to the Other
Taking as the focus of enquiry the engagements of Félix Guattari with Marcel Duchamp, namely, those rare passages in Schizoanalytic Cartographies and Chaosmosis, the question of the encounter is posed in the field of the sign, but of a sign ‘destructured’ (as Duchamp du signe), in the sense also that Guattari started by destructuring Lacan (from Psychoanalysis and Transversality to Anti-Oedipus). Introduced by the relationships between Guattari and Foucault to better play in between the early and the late Guattari, Guattari’s key insight into the Bottle Rack readymade as an existential function is critically discussed from a reopening to enunciation through the ‘Duchamp effect’. If the latter seems to privilege language contrary to Guattari’s own semiotics, it is to derail it as a machinic unconscious. Duchamp’s writings on his readymades and other machinations are analysed, with the role of Raymond Roussel for Duchamp (and Deleuze-Guattari via Foucault), as well as the implications of a trans-Duchamp, his alter-ego Rrose Sélavy, as an opening to a machinic alterity undoing and queering gender binarity and phallic centricity, recovering the singularity of the bachelor machine and its rupture of subjectivation. The article shows how it could be transversally returned to the very middle of the Guattarian trajectory.
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CiteScore
0.60
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