{"title":"“我不想在平安夜惹这些流氓!“","authors":"Claudia Hillebrandt","doi":"10.1515/iasl-2023-0003","DOIUrl":null,"url":null,"abstract":"Abstract This paper puts forward the thesis that the social image of the early federal republic of Germany displayed in Loriot’s œuvre is mainly characterized by this society’s inability to understand each other or it’s own traditions and art. Loriot’s work thus provides a skeptical point of view towards the process of modernization Germany has passed through from the 19th to the 20th century.","PeriodicalId":42506,"journal":{"name":"INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR","volume":"48 1","pages":"195 - 218"},"PeriodicalIF":0.2000,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"„Ich habe keine Lust, mich Heiligabend mit diesen Spießern rumzuärgern!“\",\"authors\":\"Claudia Hillebrandt\",\"doi\":\"10.1515/iasl-2023-0003\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This paper puts forward the thesis that the social image of the early federal republic of Germany displayed in Loriot’s œuvre is mainly characterized by this society’s inability to understand each other or it’s own traditions and art. Loriot’s work thus provides a skeptical point of view towards the process of modernization Germany has passed through from the 19th to the 20th century.\",\"PeriodicalId\":42506,\"journal\":{\"name\":\"INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR\",\"volume\":\"48 1\",\"pages\":\"195 - 218\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/iasl-2023-0003\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, GERMAN, DUTCH, SCANDINAVIAN\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/iasl-2023-0003","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, GERMAN, DUTCH, SCANDINAVIAN","Score":null,"Total":0}
„Ich habe keine Lust, mich Heiligabend mit diesen Spießern rumzuärgern!“
Abstract This paper puts forward the thesis that the social image of the early federal republic of Germany displayed in Loriot’s œuvre is mainly characterized by this society’s inability to understand each other or it’s own traditions and art. Loriot’s work thus provides a skeptical point of view towards the process of modernization Germany has passed through from the 19th to the 20th century.