{"title":"里耶卡主教Šimun KožičićBenja(1530–1531)印制的格拉戈里书插图","authors":"I. Ferenčak","doi":"10.31664/ripu.2019.43.04","DOIUrl":null,"url":null,"abstract":"The Glagolitic printing office in Rijeka was established by Bishop Šimun Kožičić Benja at the end of the year 1530 and in about six or seven months published six books in the Glagolitic script. As a group, these books contain six illustrations and a set of historiated Latin initials that connects them with contemporary Venetian publications and book design. By examining books printed in Venice during the first decades of the 16th century, the author has identified models for most of the illustrations and the initials printed by Kožičić. The illustrations used in books printed in Rijeka are analysed regarding their stylistic and iconographical features, and interpreted as carefully chosen elements of a visual program that reflects the idea of Kožičić’s publishing undertaking.","PeriodicalId":41842,"journal":{"name":"Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.31664/ripu.2019.43.04","citationCount":"0","resultStr":"{\"title\":\"The Illustrations in the Glagolitic Books Printed by Bishop Šimun Kožičić Benja in Rijeka (1530–1531)\",\"authors\":\"I. Ferenčak\",\"doi\":\"10.31664/ripu.2019.43.04\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Glagolitic printing office in Rijeka was established by Bishop Šimun Kožičić Benja at the end of the year 1530 and in about six or seven months published six books in the Glagolitic script. As a group, these books contain six illustrations and a set of historiated Latin initials that connects them with contemporary Venetian publications and book design. By examining books printed in Venice during the first decades of the 16th century, the author has identified models for most of the illustrations and the initials printed by Kožičić. The illustrations used in books printed in Rijeka are analysed regarding their stylistic and iconographical features, and interpreted as carefully chosen elements of a visual program that reflects the idea of Kožičić’s publishing undertaking.\",\"PeriodicalId\":41842,\"journal\":{\"name\":\"Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2019-12-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.31664/ripu.2019.43.04\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31664/ripu.2019.43.04\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31664/ripu.2019.43.04","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
The Illustrations in the Glagolitic Books Printed by Bishop Šimun Kožičić Benja in Rijeka (1530–1531)
The Glagolitic printing office in Rijeka was established by Bishop Šimun Kožičić Benja at the end of the year 1530 and in about six or seven months published six books in the Glagolitic script. As a group, these books contain six illustrations and a set of historiated Latin initials that connects them with contemporary Venetian publications and book design. By examining books printed in Venice during the first decades of the 16th century, the author has identified models for most of the illustrations and the initials printed by Kožičić. The illustrations used in books printed in Rijeka are analysed regarding their stylistic and iconographical features, and interpreted as carefully chosen elements of a visual program that reflects the idea of Kožičić’s publishing undertaking.