朱利安·施纳贝尔:揭开神话

Q4 Arts and Humanities

Art in Translation Pub Date : 2020-07-02 DOI:10.1080/17561310.2020.1876831

J. Sans, Susan de Muth

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引用次数: 0

摘要

1987年初，朱利安·施纳贝尔(Julian Schnabel)的大型作品展在巴黎蓬皮杜中心的国家现代艺术博物馆举行，展出了40幅油画和3件雕塑。Jérôme Sans的这篇评论简要介绍了施纳贝尔的生活和职业，以及他对欧洲老大师契马布埃、格列柯、卡拉瓦乔和新大师西格玛尔·波尔克、约瑟夫·博伊斯的发现。桑在施纳贝尔的画作中发现，20世纪70年代的极简主义已经走到了尽头。

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Julian Schnabel: The Myth Unfurls

Abstract A major exhibition of Julian Schnabel’s work was staged in the early months of 1987 at the National Museum of Modern Art in the Centre Pompidou in Paris, featured forty paintings and three sculptures. This review by Jérôme Sans gives a brief overview of Schnabel’s life and career, his discovery of both the European old masters—Cimabue, El Greco, Caravaggio—and new masters like Sigmar Polke, Joseph Beuys. Sans finds in Schnabel’s painting an affirmation that 1970s Minimalism had run its course.

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来源期刊

Art in Translation Arts and Humanities-Visual Arts and Performing Arts

CiteScore

0.20

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0.00%

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