移动安全空间和预设情绪:用应用程序作为自我的数字技术制作音乐

IF 1.3 3区 艺术学 0 MUSIC
Linus Eusterbrock
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引用次数: 2

摘要

摘要在智能手机和平板电脑上制作音乐的应用程序被专业和业余音乐家广泛使用。基于一项定性研究,本文描述了使用应用程序制作音乐如何影响用户在日常生活中的自我意识和情绪调节。它表明,音乐应用程序被用于“自我技术”,它们塑造了音乐家的自我构成,并允许音乐、地点和自我之间的复杂互动。它认为,使用应用程序制作音乐可以促进自治实践,但也可以作为自我赋权和批评的工具。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mobile Safe Spaces and Preset Emotions: Making Music with Apps as a Digital Technology of the Self
ABSTRACT Apps for making music on smartphones and tablets are widely used by professional and amateur musicians alike. Based on a qualitative study, this article describes how making music with apps affects users’ sense of self and emotion regulation in everyday life. It demonstrates that music apps are used in “technologies of the self,” that they shape musicians’ self-constitution and allow a complex interplay between music, place, and the self. It argues that music production with apps can promote practices of self-government, but also serve as a tool of self-empowerment and critique.
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来源期刊
CiteScore
1.10
自引率
0.00%
发文量
33
期刊介绍: Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms "popular" and "society" are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Digital Music Delivery, Cover Songs, the Music Monopoly, Jazz, and the Kinks. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board.
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