{"title":"DMT中的相遇时刻:治疗师主观经验的特点和启示","authors":"Victoria de la Parra López, Heidrun Panhofer","doi":"10.1007/s10465-023-09377-6","DOIUrl":null,"url":null,"abstract":"<div><p>Moments of meeting (MoM) are characterized by instances of special intersubjective connection between the therapist and patient which causes a change in the <i>implicit relational knowing</i> (IRK) of both individuals. MoM have been widely described for non-creative arts therapies, but there is little information about their characteristics in dance/movement therapy (DMT). This study seeks to explore and characterize the MoM in DMT from the perception of professional therapists. Nine dance/movement therapists (dmts) were consulted using a multimodal approach that travels between writing and movement (Panhofer, 2011) and data were examined using qualitative content analysis. The results show that the characteristics of MoM can be grouped into three categories: (1) relationship (shared experience, experience of fusion, security and kinesthetic empathy) (2) emotion (emotional intensity and genuine affection) and (3) movement (physical closeness, eye contact, <i>emergency</i>, irruption of the present and release of the flow). These results are contrasted with what was originally proposed by the Boston Group (Lyons-Ruth et al in Infant Ment Health J 19(3):282–289, https://doi.org/10.1002/(sici)1097-0355(199823)19:3<282::aid-imhj3>3.0.co;2-o, 1998) and recently by Duarte et al. (Psychother Res 31:1–14, https://doi.org/10.1080/10503307.2021.1948138, 2021) and Lauffenburger (Am J Dance Ther 42(1):16–32, https://doi.org/10.1007/s10465-020-09321-y, 2020), finding similarities and new elements exclusive to DMT. This work contributes to a deeper understanding and conceptualization of MoM in the specific field of DMT and its clinical practice.\n</p></div>","PeriodicalId":44552,"journal":{"name":"AMERICAN JOURNAL OF DANCE THERAPY","volume":"45 1","pages":"41 - 58"},"PeriodicalIF":0.8000,"publicationDate":"2023-02-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://link.springer.com/content/pdf/10.1007/s10465-023-09377-6.pdf","citationCount":"0","resultStr":"{\"title\":\"Moments of Meeting in DMT: Characteristics and Implications from the Subjective Experience of Therapists\",\"authors\":\"Victoria de la Parra López, Heidrun Panhofer\",\"doi\":\"10.1007/s10465-023-09377-6\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<div><p>Moments of meeting (MoM) are characterized by instances of special intersubjective connection between the therapist and patient which causes a change in the <i>implicit relational knowing</i> (IRK) of both individuals. MoM have been widely described for non-creative arts therapies, but there is little information about their characteristics in dance/movement therapy (DMT). This study seeks to explore and characterize the MoM in DMT from the perception of professional therapists. Nine dance/movement therapists (dmts) were consulted using a multimodal approach that travels between writing and movement (Panhofer, 2011) and data were examined using qualitative content analysis. The results show that the characteristics of MoM can be grouped into three categories: (1) relationship (shared experience, experience of fusion, security and kinesthetic empathy) (2) emotion (emotional intensity and genuine affection) and (3) movement (physical closeness, eye contact, <i>emergency</i>, irruption of the present and release of the flow). These results are contrasted with what was originally proposed by the Boston Group (Lyons-Ruth et al in Infant Ment Health J 19(3):282–289, https://doi.org/10.1002/(sici)1097-0355(199823)19:3<282::aid-imhj3>3.0.co;2-o, 1998) and recently by Duarte et al. (Psychother Res 31:1–14, https://doi.org/10.1080/10503307.2021.1948138, 2021) and Lauffenburger (Am J Dance Ther 42(1):16–32, https://doi.org/10.1007/s10465-020-09321-y, 2020), finding similarities and new elements exclusive to DMT. 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引用次数: 0
摘要
会面时刻(MoM)的特点是治疗师和患者之间存在特殊的主体间联系,这会导致两个人的内隐关系认知(IRK)发生变化。MoM被广泛描述为非创造性艺术疗法,但在舞蹈/动作疗法(DMT)中,关于其特征的信息很少。本研究试图从专业治疗师的角度来探索和表征DMT中的MoM。使用在写作和运动之间游走的多模式方法咨询了九名舞蹈/运动治疗师(dmt)(Panhofer,2011),并使用定性内容分析对数据进行了检查。结果表明,MoM的特征可分为三类:(1)关系(共享体验、融合体验、安全感和动觉移情);(2)情感(情感强度和真诚情感);(3)运动(身体亲密、眼神交流、紧急情况、当下的爆发和流的释放)。这些结果与波士顿小组最初提出的结果进行了对比(Lyons Ruth等人在《婴儿心理健康杂志》19(3):282–289,https://doi.org/10.1002/(sici)1097-0355(199823)19:3<;282::aid-imhj3>;3.0.co;2-o,1998)和最近由Duarte等人(Psychother Res 31:1-14,https://doi.org/10.1080/10503307.2021.1948138,2021)和Lauffenburger(Am J Dance Ther 42(1):16-32,https://doi.org/10.1007/s10465-020-09321-y,2020),发现DMT独有的相似之处和新元素。这项工作有助于在DMT及其临床实践的特定领域更深入地理解和概念化MoM。
Moments of Meeting in DMT: Characteristics and Implications from the Subjective Experience of Therapists
Moments of meeting (MoM) are characterized by instances of special intersubjective connection between the therapist and patient which causes a change in the implicit relational knowing (IRK) of both individuals. MoM have been widely described for non-creative arts therapies, but there is little information about their characteristics in dance/movement therapy (DMT). This study seeks to explore and characterize the MoM in DMT from the perception of professional therapists. Nine dance/movement therapists (dmts) were consulted using a multimodal approach that travels between writing and movement (Panhofer, 2011) and data were examined using qualitative content analysis. The results show that the characteristics of MoM can be grouped into three categories: (1) relationship (shared experience, experience of fusion, security and kinesthetic empathy) (2) emotion (emotional intensity and genuine affection) and (3) movement (physical closeness, eye contact, emergency, irruption of the present and release of the flow). These results are contrasted with what was originally proposed by the Boston Group (Lyons-Ruth et al in Infant Ment Health J 19(3):282–289, https://doi.org/10.1002/(sici)1097-0355(199823)19:3<282::aid-imhj3>3.0.co;2-o, 1998) and recently by Duarte et al. (Psychother Res 31:1–14, https://doi.org/10.1080/10503307.2021.1948138, 2021) and Lauffenburger (Am J Dance Ther 42(1):16–32, https://doi.org/10.1007/s10465-020-09321-y, 2020), finding similarities and new elements exclusive to DMT. This work contributes to a deeper understanding and conceptualization of MoM in the specific field of DMT and its clinical practice.
期刊介绍:
American Journal of Dance Therapy informs the international mental health community on the latest findings in dance/movement therapy theory, research, and clinical practice by presenting original contributions, case material, reviews, and studies by leading practitioners and educators in the field. The journal, reflecting the dramatic expansion of the profession over the last half-century, publishes timely articles on working with new populations, changing goals, innovative techniques, and new methods of training. Current professional issues, outcome research, and assessment tools are also examined and evaluated. This biannual forum encourages dance/movement therapists and allied mental health professionals to test their theoretical premises and share their ideas. It is a valuable resource for administrators, psychiatrists, psychologists, social workers, and creative arts therapists in the disciplines of music, art, and drama.