非弦乐教师在弦乐合奏教学中的舒适性

Q1 Arts and Humanities
Jieun Kim
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引用次数: 0

摘要

本研究旨在探讨非弦乐专家教授学生弦乐合奏时的舒适程度。舒适被定义为个人在教授主题时的轻松。通过研究人员开发的研究,使用与15个字符串主题相关的7点李克特式量表收集数据。参与者(N = 180)是通过国家音乐教育协会会员名单确定的,他们通过电子邮件联系。采用描述性统计和参数统计对反应进行分析。结果显示,乐队专家在弦乐教学情境中比合唱团和小学普通音乐专家感觉更舒适。参加过字符串方法课程的参与者,与没有参加过的参与者相比,在教授七个特定的字符串主题时感觉更舒服。目前正在教授弦乐合奏的参与者在教授所有弦乐主题时感觉更舒服,除了颤音技巧。与那些从未教过弦乐的人相比,过去教过弦乐的参与者在教授弦乐合奏时明显更自在。本研究的结果可以帮助高等教育教学方法教师选择教学活动和课程主题,以提供最有益的经验。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Nonstring Music Teachers’ Comfort Teaching String Ensembles
This study was designed to explore nonstring specialists’ comfort teaching students in string ensembles. Comfort was defined as an individual’s ease when teaching the subject matter. Data were gathered, using a 7-point Likert-type scale related to 15 string topics administered through a researcher-developed study. Participants (N = 180), who were identified through the National Association for Music Education membership list, were contacted via email. Responses were analyzed using descriptive and parametric statistics. Results revealed that band specialists felt significantly more comfortable in string teaching situations than choir and elementary general music specialists. Participants who took a string methods course, as compared with those who did not, felt more comfortable teaching seven specific string topics. Participants who were currently teaching string ensembles felt more comfortable teaching all string topics, except for vibrato technique. Participants who had taught strings in the past were significantly more comfortable teaching string ensembles than those who had never taught strings. The findings of this study could help higher education string methods instructors select instructional activities and course topics that were revealed to provide the most beneficial experiences.
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来源期刊
String Research Journal
String Research Journal Arts and Humanities-History
CiteScore
0.40
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9
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