Warsan Shire, Upile Chisala和Safia Elhillo的诗歌中不可磨灭的女性

Elen Rodrigues Gonçalves, Bárbara Inês Ribeiro Simões Daibert
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引用次数: 0

摘要

与文学写作有关的第一个观察结果与写作本身的身体行为有关,这种身体行为的条件是,只有在写作完成时,身体张力才会得到缓解、完成。它本身与一个历史转折点有着深刻的联系,因为它不是永恒的,也不是客观的。除此之外,作家在构思周围社会的归属感时,无法将自己与一切以某种方式使他敏感的事物隔离开来。因此,考虑到人和社会是非常一致的,我们仔细分析了Warsan Shire(肯尼亚)、Upile Chisala(马拉维)和Safia Elhillo(苏丹)的诗歌创作,它们与他们的个人经历以及原籍国的历史过去和他们祖先的文化遗产有太多的联系,因为写作本身承载着与当代社会的社会政治文化时刻相关的巨大紧迫感。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
feminino indelével nas palavras poéticas de Warsan Shire, Upile Chisala e Safia Elhillo
The first observation related to literary writing is linked to the physical act of writing itself, conditioned to a body tension that is only relieved, finished, when writing is finished. It itself is deeply linked to a historical conjuncture, since it is not timeless, neither impersonal. Added to this is the fact that the writer, when conceiving notions of belonging among the society that surrounds him, cannot isolate himself from everything that somehow sensitizes him. Considering, therefore, that man and society are very consistent, we carefully analyze the poetic writing of Warsan Shire (Kenya), Upile Chisala (Malawi) and Safia Elhillo (Sudan), which is too much associated with their personal experiences as well as to the historical past of its countries of origin and the cultural heritage of their ancestors, since the writing itself carries a load of a great urgency related to the socio-political-cultural moment of contemporary society.
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